Monographs

Recorders

Rafael Lozano-Hemmer: Recorders

Catalogue of Recorders exhibition which took place in Manchester Art Gallery.

Softcover: 64 pages
ISBN: 978-0-901673-78-7
Publisher: Manchester Art Gallery
Language: English
Dimensions: 22 x 27 cm
Editor: Rafael Lozano-Hemmer

Authors: Moira Stevenson, Rafael Lozano-Hemmer, Timothy Druckrey, Cecilia Fajardo-Hill, Beryl Graham and Jacinta Laurent
Design: Pauline Minsky


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Recorders

Under Scan

Under Scan was a large-scale public art intallation featuring 1,000 interactive portraits. The piece was commissioned by East Midlands Development Agency (EMDA) to celebrate the cultural quarters in the East Midlands region of England. This book and DVD document the massive shadow play that transformed pedestrian areas in Derb, Leicester, Lincoln, Northampton and Nottingham in 2005 and 2006.

Perfect Paperback: 120 pages
ISBN: 0-9781347-0-2
Publisher: EMDA and Antimodular (April 1, 2007)
Language: English
Dimensions: 18 x 25 cm
Editor: Rafael Lozano-Hemmer and David Hill

Authors: Rafael Lozano-Hemmer
Sample Essay: Critical essays by Timothy Druckrey (USA), Berly Graham (UK), Cuauhtemoc Medina (Mexico), Nadja Mounajjed (Syria/France), John Plowman (UK) and Mirjam Struppek (Germany)


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Recorders

Rafael Lozano-Hemmer "Subsculptures"

Un dialogue entre José Luis Barrios et Rafael Lozano-Hemmer / A dialog between José Luis Barrios and Rafael Lozano-Hemmer

Paperback: 64 pages
ISBN: 2-940287-19-8
Publisher: Galerie Guy Bärtschi (November 5, 2005)
Language: Français and English
Dimensions: 28 x 21 cm

Authors: Rafael Lozano-Hemmer
Design: Guy Bärtschi and Livia Gnos
Coordination: Guy Bärtschi and Livia Gnos
Texts: Rafael Lozano-Hemmer and José Luis Barrios
Translation: Jeanne Bouniort and Rebecca MacSween


 

Recorders

Vectorial Elevation: Relational Architecture No. 4

With the arrival of the year 2000, Mexico City’s Zócalo Square was transformed by immense light sculptures created by participants on the Internet using a virtual reality program. This book documents the interactive art project Vectorial Elevation, which allowed thousands of people from 89 countries to control 18 robotic searchlights with 126,000 watts of power and link Cyberspace with Mexico’s most emblematic urban landscape. Prominent artists and critics analyze the historical, aesthetic and technological impact of this massive “Relational Architecture” intervention: Andreas Broeckmann, Daniel Canogar, Erik Davis, Maria Fernandez, Erkii Huhtamo, Geert Lovink, Brian Mass

Paperback: 340 pages
ISBN: 970-18-5553-1
Publisher: Conaculta (November 29, 2000)
Language: English and español
Dimensions: 8.9 x 6.4 x 1 inches
Editor: Rafael Lozano-Hemmer

Design: Julia W.García
Sample Essay: Daniel Canogar
Translation: Patricia Muñoz Luna and Susie Ramsay
Layout assistants: Black Sheep Design
Production management: Miguel Marín


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Books

  • "Rafael Lozano-Hemmer", Atopia, Barcelona, España, 2010 (english). Text of 1 page.
  • "1000 Platitudes", Language in art, The Netherlands, 2009 (english). Text of 1 page.
  • "Blow-up, shadow box #4" and "Reporters with borders, shadow box #6", Turn and Widen, Seoul, South Korea, 2008 (english). Text of 1 page.
  • cover "Rafael Lozano-Hemmer", The Prisoner’s Dilemma, selections from Ella Fontanals-Cisneros Collection, Miami, Florida, United States, 2008 (english). Text of 1 page.
  • "Rafael Lozano-Hemmer", Emergentes, Buenos Aires, Argentina, 2008 (english and español). Text of 2 pages.
  • "Rafael Lozano-Hemmer - 'Some things happen more often than all the time'", Kunstforum, Vol. 188, London, United Kingdom, October 2007 (deutsch). Text of 1 page.
  • Adriaansens, A. and Brouwer, J., Alien Relationships from Public Space, TransUrbanism, Rotterdam, The Netherlands, 2002 (english). Text of 7 pages.
  • Adriaansens, Alex and Brower, Joke, Transurbanism, NAI V2 publishers, Rotterdam, The Netherlands, 2003 (english). Text of 8 pages.
  • Aros, "Pulse room: Rafael Lozano-Hemmer", Enter action: digital art now, Århus, Denmark, 2009 (dansk and english). Text of 4 pages.
  • Barrios, José Luis, "Subsculptures", Gallery Guy Bärtschi, Genève, Switzerland, 2005 (english). Text of 11 pages.
  • Barrios, José Luis, arte/FACTOS , Salón De Arte Bancomer – armas y herramientas, Mexico City, México, 2004 (español).
  • Barro, David, "Rafael Lozano-Hemmer", Emergentes, Gijón, España, 2008 (english and español). Text of 3 pages.
  • Benedetti, Lorenzo, La ciudad como interfaz del arte, La ciudad radiante, Valencia, España, 2003 (español). Text of 1 page.
  • Benedetti, Lorenzo, The City as Interface of Art, La ciudad radiante, Valencia, España, 2003 (english). Text of 1 page.
  • Berg, Eddie and McGonigal, Jo, Rafael Lozano-Hemmer, International 2002 — Liverpool Biennial, Liverpool, United Kingdom, 2002 (english). Text of 1 page.
  • Binder, Pat and Haupt, Gerhard, Excerpt from an interview for Universe , SCRABBLE — vídeo, lenguaje y abstracción, Gran Canaria, España, 2005 (español and english). Text of 8 pages.
  • Brizzi, Marco and Giaconia, Paola, Rafael Lozano-Hemmer, Beyond Media – 6º Festival Internazionale di Architettura in Video, Bologna, Italia, 2002 (english and italiano). Text of 1 page.
  • Broeckmann, Andreas, Public Spheres and Network Interfaces, The Cybercities reader, New York, United States, 2004 (english and italiano). Text of 4 pages.
  • Broeckmann, Andreas, Public Spheres and Network Interfaces, April 2000 (english). Text of 6 pages.
  • cover Bullivant, Lucy, Responsive Environments — Architecture, Art and Design, V&A Contemporary, London, United Kingdom, 2006 (english and italiano). Text of 5 pages.
  • cover Cámara, Ery (translated by D.E. Cowan), Mexican Artists in the International Arena, EXIT — México, España, 2005 (english and español). Text of 3 pages.
  • Canogar, Daniel, Rafael Lozano-Hemmer — Homographies, 2006 Biennale of Sydney — Zones of Contact, Seoul, South Korea, 2006 (english).
  • Cantz, Hatje, "Body Movies - Relationnal Architecture No. 6", CyberArts 2002, Germany, 2002 (english and deutsch). Text of 2 pages.
  • Cilleruelo, Lourdes, Medios Alienígenas – entrevista a Rafael Lozano-Hemmer, Net.Art – Prácticas estéticas y políticas en la red, Madrid, España, 2006 (español). Text of 8 pages.
  • de Kerckhove, Derrick, The Architecture of Intelligence, Birkhäuser, Basel, Switzerland, 2001 (english and español). Text of 1 page.
  • de Saint-Etienne, Michel, 8 décembre – fête des lumières 2001-2005, Lyon, France, 2006 (français). Text of 1 page.
  • Dewdney, Andrew and Ride, Peter, Vectorial Elevation – public arts project: Rafael Lozano-Hemmer, The New Media Handbook, New York, United States, 2006 (english). Text of 8 pages.
  • Druckrey, Timothy, Echte Telepräsenz... – Real Telepresence..., Dot.City, Berlin, Germany, 2004 (english and deutsch).
  • Druckrey, Timothy, Critical Conditions, Wood Street Galleries, Pittsburgh, Pennsylvania, United States, 2003 (english). Text of 1 page.
  • Druckrey, Timothy, Relational Architecture: the work of Rafael Lozano-Hemmer, Debates & Credits. Media / Art / Public Domain, Amsterdam, The Netherlands, 2003 (english and dutch). Text of 4 pages.
  • Ehrlich, Ken and Labelle, Brandon, Body Movies, Surface Tension – Problematics of Site, New York, United States, 2003 (english and dutch). Text of 1 page.
  • Fajardo-Hill, Cecilia, Forms of classification: Alternative Knowledge and contemporary art, Miami, United States, 2006 (english and español). Text of 3 pages.
  • Fernández, María, Rafael Lozano-Hemmer, egofugal — 7th international Istanbul biennial, Istanbul, Turkey, 2001 (english and turkkilainen). Text of 2 pages.
  • Freyer, Conny, Noel, Sebastien and Rucki, Eva, "Rafael Lozano-Hemmer", Digital by design, London, United Kingdom, 2008 (english). Text of 2 pages.
  • Frieling, Rudolf, "Rafael Lozano-Hemmer", The art of participation: 1950 to now, New York City, New York, United States, 2008 (english). Text of 1 page.
  • Graham, Beryl, "Interaction/Participation: Disembodied Performance in New Media Art", Dead History, Live Art?, Liverpool, United Kingdom, 2007 (english). Text of 3 pages.
  • Graham, Beryl, Digital Media, Directions in Art series, Oxford, Mississippi, United States, 2003 (english). Text of 4 pages.
  • Hasegawa, Yuko, Rafael Lozano-Hemmer, Cream 3. Contemporary Art in Culture. 10 curators -10 contemporary artists - 10 source artists, London, United States, 2003 (english). Text of 4 pages.
  • Helguera, Pablo, "The Museum as Medium Symposium", Guggenheim Museum, New York City, New York, United States, 2002 (english). Text of 2 pages.
  • Herrera Ysla, Nelson, Rafael Lozano-Hemmer, Séptima Bienal de La Habana, Madrid, España, 2000 (english and español). Text of 1 page.
  • Kacunko, Slavko, Closed Circuit Videoinstallationen, Logos, Berlin, Germany, 2004 (deutsch). Text of 2 pages.
  • Laurenson, Pip, "Rafael Lozano-Hemmer: Interview by Pip Laurenson", The fifth floor: Ideas taking space, Liverpool, United Kingdom, 2009 (english). Text of 3 pages.
  • Lieser, Wolf, Digitale Medien-Installationen im Firmenumfeld, Digital Art, China, 2009 (deutsch). Text of 1 page.
  • Lopez, Sebastian, Rafael Lozano-Hemmer, Shangai Biennale – Techniques of the Visible, Shangai, China, 2004 (english and chinese). Text of 5 pages.
  • Lovejoy, Margot, Art as interactive communications: networking global culture, Digital currents: art in the electronic age, London, United Kingdom, 2004 (english). Text of 1 page.
  • Lovink, Geert, Real and Virtual Light of Relational Architecture – an interview with Rafael Lozano-Hemmer, Uncanny Networks – Dialogues with the Virtual Intelligentsia, Cambridge, United Kingdom, 2002 (english). Text of 10 pages.
  • Lovink, Geert, Vectorial Elevation, Conaculta, Cuauhtemoc, México, 2000 (english and español).
  • Lozada, Príamo, Dataspace: Del objeto observado al sujeto participante), Transitio_MX, Mexico DF, México, 2005 (english). Text of 1 page.
  • Lozada, Príamo, Dataspace Arte Electrónico, MÉXICO EN ARCO ’ 05, Madrid, España, (español). Text of 1 page.
  • Lozano-Hemmer, Rafael, Under Scan, Nottingham, United Kingdom, 2007 (english).
  • Lozano-Hemmer, Rafael, Subsculptures, Galerie Guy Bärtschi, Geneva, Switzerland, 2005 (english and français).
  • Lozano-Hemmer, Rafael, Idle Hands, European Media Art Festival, Mdrid, España, 1995 (english). Text of 1 page.
  • Lozano-Hemmer, Rafael, The Trace, Madrid, España, 1995 (english).
  • Lozano-Hemmer, Rafael, Arte virtual y reactivo , Arte Virtual, Madrid, España, 1994 (español). Text of 3 pages.
  • Lozano-Hemmer, Rafael, Surface Tension, Visual Proceedings – The Art & Interdisciplinary Programs of SIGGRAPH 93, New York, United States, 1993 (english). Text of 2 pages.
  • Lozano-Hemmer, Rafael, Lozano-Hemmer, Rafael. "Cyborg Fictions" in Virtual Seminar on the Bioapparatus, Banff: The Banff Centre for the Arts, 1991, p. 79. (english), Virtual Seminar on the Bioapparatus, Banff: The Banff Centre for the Arts, Banff, Alberta, Canada, 1991 (english). Text of 1 page.
  • Manovich, Lev, "The poetics of augmented space", New Media Theories and Pratices of Digitextuality, New York City, New York, United States, 2003 (english). Text of 1 page.
  • Manovich, Lev, The poetics of augmented space, New Media – Theories and practices of digitextuality, New York, United States, 2003 (english).
  • Manovich, Lev, The poetics of augmented space, New Media – Theories and practices of digitextuality, New York, United States, 2003 (english).
  • Mariátegui, José-Carlos, Emergentes. 10 projects by Latin American artists / Works in progress, bibliography/articles_pulse_room/04_Laboral.pdf, 2007 (español).
  • Massumi, Brian, Parables for the Virtual – Movement, Affect, Sensation, Durham, North Carolina, United States, 2002 (english). Text of 1 page.
  • McQuire, Scott, "Performing Public Space", The Media City: Media, Architecture and Urban Space, 2008, London, United Kingdom, 2008 (english). Text of 2 pages.
  • McQuire, Scott, Performing Public Space, The Media City: Media, Architecture and Urban Space, London, United Kingdom, 2008 (english). Text of 2 pages.
  • cover Medina, Pedro, "Migrations between Memory and Spectacle", ARTECONTEXTO, Vol. 15, Madrid, España, 2007 (english). Text of 3 pages.
  • Musée National des Beaux-Arts du Québec, "Entrepôt de pulsations", Intrus/Intruders, Quebec City, Québec, Canada, 2008 (français). Text of 7 pages.
  • Neumann, Dietrich, Architectural Illumination since World War II, Architecture of the Night, Munich, Germany, 2002 (english). Text of 1 page.
  • Ohlenschläger, Karin, The capable skin – La Piel Capaz, Arte Virtual - Realidad Plural, Monterrey, México, 1997 (english and español). Text of 3 pages.
  • Ordás, Carlos, Rafael Lozano-Hemmer, MUSAC – Museo de Arte Contemporáneo de Castilla Y León, Barcelona, españa, 2004 (english and español).
  • cover Ozog, Maciej, "Surveilling the surveillance society: the case of Rafael Lozano-Hemmer’s installations", Conspiracy dwellings: Surveillance in Contemporary Art, Newcastle, United Kingdom, 2010 (english). Text of 7 pages.
  • Paul, Christiane, Digital Art, London, United Kingdom, 2003 (english). Text of 1 page.
  • Porraz Fraser, Paloma and Santamarina, Guillermo, Rafael Lozano-Hemmer, Moi et ma circonstance – I and my circumstance – Yo y mi circunstancia, Montreal, Canada, 2000 (english and español).
  • Ranzenbacher, Heimo, Interview with Rafael Lozano-Hemmer, Ars Electronica, Linz, Austria, 2001 (english). Text of 5 pages.
  • Ranzenbacher, Heimo, Metaphors of Participation, Takeover – who’ s doing the art of tomorrow. ARS Electronica 2001, Vienna, Austria, 2001 (english). Text of 5 pages.
  • Roca, José, Rafael Lozano-Hemmer, Phantasmagoria: Spectors of absence, New York, United States, 2007 (english). Text of 2 pages.
  • Ryan, Zoë, Temp Work, OPEN — New Designs For Public Space, New York, United States, 2004 (english).
  • cover Sánchez Balmisa, Alberto, Rafael Lozano-Hemmer, 100 Artistas Latinoamericanos – Latin American Artists, Madrid, España, 2006 (english and español). Text of 3 pages.
  • Schwander, Martin, Rafael Lozano-Hemmer, Art | Unlimited, Basel, Switzerland, (english). Text of 1 page.
  • Stocker, Gerfried and Schöpf, Christine, Relational Architecture no2 – Displaced Emperors, Flesh Factor — informationsmaschine mensch, Vienna, Austria, 1997 (english and deutsch). Text of 3 pages.
  • Stocker, Gerfried and Schöpf, Christine, Relational Architecture no2 – Displaced Emperors, Flesh Factor — informationsmaschine mensch, Vienna, Austria, 1997 (english and deutsch). Text of 3 pages.
  • Sumitomo, Fumihiko, Rafael Lozano-Hemmer, Art meets Media: adventures in perception, Tokyo, Japan, 2005 (japanese).
  • Tribe, Mark. and Jana, Reena, Vectorial Elevation , New Media Art (Art des nouveaux médias), Köln, Germany, 2006 (english and français). Text of 3 pages.
  • Wilson, Stephen, "Introduction", Art Science Now: How Scientific Research and Technological Innovation Are Becoming Key to 21st-century Aesthetics, New York City, New York, United States, 2010 (english). Text of 1 page.
  • Wilson, Stephen, Rafael Lozano-Hemmer, Information Arts – Intersections of Art, Science, and Technology, Cambridge, United Kingdom, 2002 (english). Text of 4 pages.

Essay

  • Lozano-Hemmer, Rafael, "The Relational Museum", Proceedings of the International Association of Telecommunication Museums, London, United Kingdom, 1998.
  • Lozano-Hemmer, Rafael, "Re:Positioning Fear", Archis, The Netherlands, 1998.
  • Lozano-Hemmer, Rafael, "Arte Electrónico: Pervirtiendo lo tecnológicamente correcto", Movimiento Actual, Monterrey, México, November 1997.
  • Lozano-Hemmer, Rafael, "The Trace: Remote Insinuated Presence", YLEM, United States, September 1997.
  • Lozano-Hemmer, Rafael, "Displaced Emperors, Relational Architecture #2", FleshFactor, Ars Electronica, Linz, Austria, 1997.
  • Lozano-Hemmer, Rafael, "Re:Positioning Fear, Relational Architecture #3", 3. Internationale Biennale Film und Architektur, Graz, Austria, 1997.
  • Lozano-Hemmer, Rafael, "Floating Trout Space, Interview with Lawrence Paul Yuxweluptun", Telepolis, Heise online, July 1996.
  • Lozano-Hemmer, Rafael, "Del tecno-parásito al cibernauta", Lateral, España, June 1996.
  • Lozano-Hemmer, Rafael, "Televerkörperung in Trace", Germany, January 1996.
  • Lozano-Hemmer, Rafael, "Perverting Technological Correctness", Leonardo, MIT Press, Cambridge, Massachusetts, United States, 1995.
  • Lozano-Hemmer, Rafael, "The Trace", Ars Electronica '95 Compendium, Veranstaltungesellschaft, Linz, Austria, 1995.
  • Lozano-Hemmer, Rafael, "Arte Virtual y Reactivo", Catálogo de Arte Virtual, Electa, España, 1994.
  • Lozano-Hemmer, Rafael, "Surface Tension", Visual Proceedings, ACM Siggraph, Chicago, Illimois, United States, 1993.
  • Lozano-Hemmer, Rafael, "IMmediaCY", Endo und Nano, Die Welt von Innen, Veranstaltungesellschaft, Lins, Austria, 1992.
  • Lozano-Hemmer, Rafael, "Virtual Reality", Bioapparatus, The Banff Centre For The Arts, Banff, Alberta, Canada, 1991.
  • Lozano-Hemmer, Rafael and Ramsay, Susie, "Spain Wide Web," , Telepolis, Heise online, April 1996.

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