Homage to Felguérez
“Homage to Felguérez” is a light-based intervention on the monumental sculpture El Barco, México 68 by Zacatecan artist Manuel Felguérez. Widely regarded as a pioneer of computer-assisted art in Mexico, Felguérez explored systems, instructions, and modular forms that exerted a decisive influence on Rafael Lozano-Hemmer’s practice.
During a visit to his studio in 2014, Felguérez shared with Lozano-Hemmer a triad that condensed the dynamic tension of his work: TENSION – BALANCE – RUPTURE. This installation translates that conceptual framework directly onto the sculpture by casting the three words simultaneously, each emitted from a projector positioned in a different location. The sculpture’s complex topography distorts the projections; however, each word becomes fully legible only when the viewer occupies a specific vantage point aligned with its corresponding projector.
The linear pedestrian route around the sculpture thus transforms reading into a kinetic experience. Moving from left to right, visitors encounter TENSION, then BALANCE, and finally RUPTURE; walking in the opposite direction reverses this sequence. Outside of these points of alignment, the projections fragment and overlap, remaining visible but unreadable. In this way, the work emphasizes perception as contingent and embodied, turning the sculpture into a shifting field of perspectives where meaning emerges through movement.
During a visit to his studio in 2014, Felguérez shared with Lozano-Hemmer a triad that condensed the dynamic tension of his work: TENSION – BALANCE – RUPTURE. This installation translates that conceptual framework directly onto the sculpture by casting the three words simultaneously, each emitted from a projector positioned in a different location. The sculpture’s complex topography distorts the projections; however, each word becomes fully legible only when the viewer occupies a specific vantage point aligned with its corresponding projector.
The linear pedestrian route around the sculpture thus transforms reading into a kinetic experience. Moving from left to right, visitors encounter TENSION, then BALANCE, and finally RUPTURE; walking in the opposite direction reverses this sequence. Outside of these points of alignment, the projections fragment and overlap, remaining visible but unreadable. In this way, the work emphasizes perception as contingent and embodied, turning the sculpture into a shifting field of perspectives where meaning emerges through movement.
General info
Spanish name:
Homenaje a Felguérez
Year of creation:
2026
Technique:
Projectors with custom gobos
Exhibitions
- Rafael Lozano-Hemmer: Jardín Inconcluso, Museo de Arte Moderno, Museo de Arte Moderno, Mexico City, México, 2026.
Credits
- Hugo Daoust, David Robert, Lauria Clarke
- Production:
- Antimodular Studio, Montreal: Rafael Lozano-Hemmer, Stephan Schulz, David Robert, Emily Green, Hugo Daoust, Jade Séguéla, Jess Blanchet, Lauria Clarke, Tim Belliveau, Véronique Dufour, William Sutton
- Proyectos Especiales – Arte Abierto, Mexico: Roberto Velazquez, Laura Vieco, Erika Loana Rivera, Daniel Ricaño, Pascal Schneuwly, Edgar Abraham Orozco, Jahir Emmanuel Osorio, Pavel Gustavo Cortez, Rogelio Martínez, José Daniel García, Victor Fernando Mendoza, Leonardo Yael Reyes, Felix Adrian Mendoza, Alfredo Mendoza Reyes, Carlos López, Diego López
Bibliography
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- Cervantes, Itandehui . "¡Imperdible! Llega a CDMX Jardín inconcluso, la exposición de luces que prenden al ritmo del corazón." ADN Noticias, 19 Feb. 2026. Mexico City, México, 2026. (español) (Newspapers)
- Crónica. "El jardín inconcluso no existe sin el pulso de la gente." Crónica, 16 Jan. 2026. Mexico City, México, 2026. (español) (Newspapers)
- Curiel de Icaza, Claudia. "“Rafael Lozano-Hemmer: Jardín inconcluso” abre un diálogo." Secretaría de Cultura México, 6 Feb. 2026. Mexico City, México, 2026. (español) (Websites)
- Curiel de Icaza, Claudia. "“RAFAEL LOZANO-HEMMER: JARDÍN INCONCLUSO” ABRE UN DIÁLOGO." Secretaría de Cultura México, 5 Feb. 2026. Mexico City, México, 2026. (español) (Websites)
El Economista. "Obra de Lozano-Hemmer iluminará los latidos de tu corazón." El Economista, 18 Jan. 2026. Mexico City, México, 2026. (español) (Newspapers)- El Universal. "Jardín Inconcluso: El latido de la CDMX en el MAM." El Universal, 16 Jan. 2026. Mexico City, México, 2026. (español) (Newspapers)
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- Herrera Montejano, Eleane C. "El jardín inconcluso no existe sin el pulso de la gente." Crónica, 6 Feb. 2026. Mexico City, México, 2026. (español) (Newspapers)
- INBAL. "El Inbal Invita A Recorrer Sus Museos Durante La Semana Del Arte 2026." INBAL, 28 Jan. 2026. Mexico City, México. (español) (Websites)
Juárez, Frida. "Jardín de corazonadas: una crónica de la gran instalación en el MAM." El Universal, 15 Feb. 2026. Mexico City, México, 2026. (español) (Newspapers)- López Hidalgo, Carolina. "El pulso de la ciudad en la obra de Rafael Lozano-Hemmer." Noticias IMER, 16 Jan. 2025. Mexico City, México, 2026. (español) (Newspapers)
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- Navarro, Montserrat. "El arte que respira: Jardín Inconcluso." Glocal Design Magazine, 15 Jan. 2026. Mexico City, México, 2026. (español) (Magazines)
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