“Dark Ride” was a sound-art performance originally conceived for Laumeier Sculpture Park in St-Louis. The piece was intended as a “social sculpture” to remedy the lack of public transport that could bring visitors from segregated and disadvantaged areas of metropolitan St Louis, Ferguson for example, to Laumeier Park, situated in the city’s affluent suburbs. During the free ride, passengers in the darkened bus would listen to a geolocated and performed soundtrack that changed for every trip.
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"Pulse Agglomerate," a biometric memorial performance, was presented during the 60th Venice Biennale. The piece consisted of a wearable armature that powered, controlled, and hauled hundreds of lightbulbs, each glimmering to the pulse of a different participant from the past. The performer wearing the piece walked around the streets of Venice, collecting one hundred heartbeats using an onboard pulse sensor.
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“Pulse Topology” uses remote photoplethysmography (PPG) technology, developed to detect heartbeats without using touch. The biometric data collected from participants is used to illuminate 3,000 to 10,000 suspended light bulbs, creating an immersive audio-visual experience which forms a connective topography of the pulses of participants.
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“A Crack in the Hourglass” is a transitory “anti-monument” in response to the pandemic and the ways it has halted public rituals of mourning. In this participatory artwork, a modified robotic plotter deposits grains of hourglass sand onto a black surface to recreate the images of those lost due to COVID-19.
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