Monographs

Rafael Lozano-Hemmer: Recorders

Catalogue of Recorders exhibition which took place in Manchester Art Gallery.

Softcover: 64 pages
ISBN: 978-0-901673-78-7
Publisher: Manchester Art Gallery
Language: English
Dimensions: 22 x 27 cm
Editor: Rafael Lozano-Hemmer

Authors: Moira Stevenson, Rafael Lozano-Hemmer, Timothy Druckrey, Cecilia Fajardo-Hill, Beryl Graham and Jacinta Laurent
Design: Pauline Minsky


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Under Scan

Under Scan was a large-scale public art intallation featuring 1,000 interactive portraits. The piece was commissioned by East Midlands Development Agency (EMDA) to celebrate the cultural quarters in the East Midlands region of England. This book and DVD document the massive shadow play that transformed pedestrian areas in Derb, Leicester, Lincoln, Northampton and Nottingham in 2005 and 2006.

Perfect Paperback: 120 pages
ISBN: 0-9781347-0-2
Publisher: EMDA and Antimodular (April 1, 2007)
Language: English
Dimensions: 18 x 25 cm
Editor: Rafael Lozano-Hemmer and David Hill

Authors: Rafael Lozano-Hemmer
Sample Essay: Critical essays by Timothy Druckrey (USA), Berly Graham (UK), Cuauhtemoc Medina (Mexico), Nadja Mounajjed (Syria/France), John Plowman (UK) and Mirjam Struppek (Germany)


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Rafael Lozano-Hemmer "Subsculptures"

Un dialogue entre José Luis Barrios et Rafael Lozano-Hemmer / A dialog between José Luis Barrios and Rafael Lozano-Hemmer

Paperback: 64 pages
ISBN: 2-940287-19-8
Publisher: Galerie Guy Bärtschi (November 5, 2005)
Language: Français and English
Dimensions: 28 x 21 cm

Authors: Rafael Lozano-Hemmer
Design: Guy Bärtschi and Livia Gnos
Coordination: Guy Bärtschi and Livia Gnos
Texts: Rafael Lozano-Hemmer and José Luis Barrios
Translation: Jeanne Bouniort and Rebecca MacSween

 

Vectorial Elevation: Relational Architecture No. 4

With the arrival of the year 2000, Mexico City’s Zócalo Square was transformed by immense light sculptures created by participants on the Internet using a virtual reality program. This book documents the interactive art project Vectorial Elevation, which allowed thousands of people from 89 countries to control 18 robotic searchlights with 126,000 watts of power and link Cyberspace with Mexico’s most emblematic urban landscape. Prominent artists and critics analyze the historical, aesthetic and technological impact of this massive “Relational Architecture” intervention: Andreas Broeckmann, Daniel Canogar, Erik Davis, Maria Fernandez, Erkii Huhtamo, Geert Lovink, Brian Mass

Paperback: 340 pages
ISBN: 970-18-5553-1
Publisher: Conaculta (November 29, 2000)
Language: English and español
Dimensions: 8.9 x 6.4 x 1 inches
Editor: Rafael Lozano-Hemmer

Design: Julia W.García
Sample Essay: Daniel Canogar
Translation: Patricia Muñoz Luna and Susie Ramsay
Layout assistants: Black Sheep Design
Production management: Miguel Marín


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Downloadable Texts

Bibliography

Books / Catalogues

• "Rafael Lozano-Hemmer", Atopia, Barcelona, Spain, 2010 (english).
• "1000 Platitudes", Language in art, Netherlands, 2009 (english).
• "Blow-up, shadow box #4" and "Reporters with borders, shadow box #6", Turn and Widen, Seoul, South Korea, 2008 (english).
• "Rafael Lozano-Hemmer", The Prisoner's Dilemma, selections from Ella Fontanals-Cisneros Collection, Miami, Florida, United States, 2008 (english).
• "Rafael Lozano-Hemmer", Emergentes, Buenos Aires, Argentina, 2008 (english and español).
• "Rafael Lozano-Hemmer - 'Some things happen more often than all the time'", Kunstforum, Vol. 188, London, United Kingdom, October 2007 (deutsch).
• Adriaansens, A. and Brouwer, J. "Alien Relationships from Public Space" in TransUrbanism. Rotterdam: V2_Publishing/NAI Publishers, 2002, p.138-158. (english)
• Aros, "Pulse room: Rafael Lozano-Hemmer", Enter action: digital art now, Århus, Denmark, 2009 (danske and english).
• Barrios, José Luis. "arte/FACTOS" in Salón De Arte Bancomer – armas y herramientas. Exhibition catalogue. México: Fundación BBVA Bancomer, 2004, p. 11 and 18. (español)
• Barro, David, "Rafael Lozano-Hemmer", Emergentes, Gijón, Spain, 2008 (english and español).
• Benedetti, Lorenzo. "La ciudad como interfaz del arte / The City as Interface of Art" in La ciudad radiante. Exhibition catalogue. Valencia: SKIRA, 2003, p. 110-113 and 207-208. (español / english)
• Berg, Eddie and McGonigal, Jo. "Rafael Lozano-Hemmer" in International 2002 — Liverpool Biennial, Liverpool: Liverpool Biennial, 2002, p. 88-91. (english)
• Binder, Pat and Haupt, Gerhard. "Excerpt from an interview for Universe in Universe" in SCRABBLE — vídeo, lenguaje y abstracción. Exhibition catalogue. Gran Canaria: Centro Atlántico De Arte Moderno, 2005, p. 66-75. (english / español)
• Bonito Oliva, Achille. "Rafael Lozano-Hemmer", La ciudad radiante. Exhibition catalogue. Valencia: SKIRA, 2003, p. 110-113. (español)
• Brizzi, Marco and Giaconia, Paola. "Rafael Lozano-Hemmer" in Beyond Media – 6º Festival Internazionale di Architettura in Video. Exhibition catalogue. Bologna: Editrice Compositori, 2002, p. 69. (english / italiano)
• Broeckmann, Andreas. "Public Spheres and Network Interfaces" in The Cybercities reader. New York: Routledge, 2004, p. 380-381. (english)
• Bullivant, Lucy. "Responsive Environments — Architecture", Art and Design. London: V&A Contemporary, 2006, cover page and p. 36-39. (english)
• Cámara, Ery (translated by D.E. Cowan). "Mexican Artists in the International Arena" in EXIT — México. Special Edition. Spain: Olivares & Associates, 2005, cover page and p.160-175. (english / español)
• Cameron, Andy. The art of experimental interaction design. International designers Network. IdN Special 04. Hong Kong: IdN PRO, 2004, p.96-101. (english)
• Canogar, Daniel. "Rafael Lozano-Hemmer — Homographies" in 2006 Biennale of Sydney — Zones of Contact. Exhibition catalogue. Seoul: Biennale of Sydney, 2006, p. 172-173. (english / español)
• Cantz, Hatje, "Body Movies - Relationnal Architecture No. 6", CyberArts 2002, Germany, 2002 (english and deutsch).
• Cilleruelo, Lourdes. "Medios Alienígenas – entrevista a Rafael Lozano-Hemmer" in Net.Art – Prácticas estéticas y políticas en la red. Madrid: Brumaria, 2006, p. 114-122. (español)
• Dewdney, Andrew and Ride, Peter. "Vectorial Elevation – public arts project: Rafael Lozano-Hemmer" in The New Media Handbook, New York: Routledge, 2006, p. 195-205. (english)
• Druckrey, Timothy. "Echte Telepräsenz... – Real Telepresence..." in Dot.City. Berlin: Jovis Verlag GmbH, 2004, p. 60-73. (english / deutsch)
• Druckrey, Timothy. Critical Conditions – information, atmospheres and event scenes part 1 part 2 part 3, Exhibition catalogue. Pittsburgh: Wood Street Galleries, 2003, p. 20-41. (english)
• Druckrey, Timothy. "Relational Architecture: the work of Rafael Lozano-Hemmer", Debates & Credits. Media / Art / Public Domain. Amsterdam: De Balie – Centre for Culture and Politics, 2003, p. 69-72. (english / dutch)
• Ehrlich, Ken and Labelle, Brandon. "Body Movies" in Surface Tension – Problematics of Site. New York: Errant Bodies Press, 2003, p. 239-244. (english)
• Everett, Anna, and Thornton Caldwell, John, "The poetics of augmented space", New Media Theories and Pratices of Digitextuality, New York City, New York, United States, 2003 (english).
• Fajardo-Hill, Cecilia. "Forms of classification: Alternative Knowledge and contemporary art". Exhibition catalogue. Miami, Florida, 2006-07, p. 22. (english / español)
• Fernández, María. "Rafael Lozano-Hemmer" in egofugal — 7th international Istanbul biennial, exhibition catalogue. Istanbul: Istanbul Foundation for Culture & Arts, 2001, p. 75-77. (turkkilainen / english)
• Freyer, Conny, Noel, Sebastien and Rucki, Eva, "Rafael Lozano-Hemmer", Digital by design, London, United Kingdom, 2008 (english).
• Frieling, Rudolf, "Rafael Lozano-Hemmer", The art of participation: 1950 to now, New York City, New York, United States, 2008 (english).
• Graham, Beryl, "Interaction/Participation: Disembodied Performance in New Media Art", Dead History, Live Art?, Liverpool, United Kingdom, 2007 (english).
• Graham, Beryl. Digital Media, Directions in Art series. Oxford: Heinemann, 2003. p. 28-31. (english)
• Hasegawa, Yuko. "Rafael Lozano-Hemmer", Cream 3. Contemporary Art in Culture. 10 curators -10 contemporary artists - 10 source artists. London: Phaidon Press Limited, 2003, p.188-191. (english)
• Herrera Ysla, Nelson. "Rafael Lozano-Hemmer" in Séptima Bienal de La Habana. Exhibition catalogue. Madrid: Centro de Arte Contemporáneo Wilfredo Lam, 2000, p. 234-235. (español / english)
• Kacunko, Slavko. Closed Circuit Videoinstallationen. Berlin: Logos, 2004, p. 686-687. (deutsch)
• de Kerckhove, Derrick. The Architecture of Intelligence. Basel: Birkhäuser, 2001, p. 68. (english)
• Lieser, Wolf, Digitale Medien-Installationen im Firmenumfeld, Digital Art, China, 2009 (deutsch).
• Lopez, Sebastian. "Rafael Lozano-Hemmer" in Shangai Biennale – Techniques of the Visible, Exhibition catalogue. Shangai: Shangai Fine Art Publishers, 2004, p. 164-167. (chinese / english)
• Lorenson, Pip, "Rafael Lozano-Hemmer: Interview by Pip Lorenson", The fifth floor: Ideas taking space, Liverpool, United Kingdom, 2009 (english).
• Lovejoy, Margot. "Art as interactive communications: networking global culture" in Digital currents: art in the electronic age. London: Routledge, 2004, p. 221-223. (english)
• Lovink, Geert. "Real and Virtual Light of Relational Architecture – an interview with Rafael Lozano-Hemmer" in Uncanny Networks – Dialogues with the Virtual Intelligentsia. Cambridge: MIT Press, 2002, p. 304-313. (english)
• Lozada, Príamo. "Dataspace Arte Electrónico" in MÉXICO EN ARCO ’ 05 — Madrid, España. Exhibition catalogue. Spain: Conaculta and Turner, 2005, p. 99-100. (english / español)
• Lozada, Príamo. "Dataspace: Del objeto observado al sujeto participante" in Transitio_MX. Exhibition catalogue. México: Conaculta, 2005, p. 70. (english / español)
• Lozano-Hemmer, Rafael. "Under Scan", Exhibition catalogue and DVD, East Midlands Development Agency, Nottingham 2007. (english)
• Lozano-Hemmer, Rafael. "Subsculptures", Exhibition catalogue Galerie Guy Bärtschi, Geneva 2005. (english / français)
• Lozano-Hemmer, Rafael. "Idle Hands", European Media Art Festival, Exhibition catalogue, 1995, p. 171. (english)
• Lozano-Hemmer, Rafael. "The Trace", Exhibition catalogue, Fundación Telefónica, Madrid 1995. (english)
• Lozano-Hemmer, Rafael. "Arte virtual y reactivo" in Arte Virtual, Madrid: Electa, 1994, p. 13-17. (español)
• Lozano-Hemmer, Rafael. "Surface Tension" in Visual Proceedings – The Art & Interdisciplinary Programs of SIGGRAPH 93, New York: ACM Press, 1993, p. 221-222. (english)
• Lozano-Hemmer, Rafael. "Cyborg Fictions" in Virtual Seminar on the Bioapparatus, Banff: The Banff Centre for the Arts, 1991, p. 79. (english)
• Manovich, Lev. "The poetics of augmented space" in New Media – Theories and practices of digitextuality, New York: Routledge, 2003, p. 87. (english)
• Mariátegui, José-Carlos. "Emergentes. 10 projects by Latin American artists / Works in progress". Exhibition catalogue. 2007, p. 11-12. (español)
• Massumi, Brian. Parables for the Virtual – Movement, Affect, Sensation, Durham: Duke University Press, 2002, p. 192. (english)
• McQuire, Scott, "Performing Public Space", The Media City: Media, Architecture and Urban Space, 2008, London, United Kingdom, 2008 (english).
• Medina, Pedro, "Migrations between Memory and Spectacle", ARTECONTEXTO, Vol. 15, Madrid, Spain, 2007 (english)
• Musée National des Beaux-Arts du Québec, "Entrepôt de pulsations", Intrus/Intruders, Quebec City, Québec, Canada, 2008 (français).
• Neumann, Dietrich. "Architectural Illumination since World War II" in Architecture of the Night, Munich: Prestel Verlag, 2002, p. 83. (english)
• Ohlenschläger, Karin. "The capable skin – La Piel Capaz" in Arte Virtual - Realidad Plural. Exhibition catalogue. Monterrey: Museo de Monterrey, 1997, p. 66-69. (english / español)
• Ordás, Carlos. "Rafael Lozano-Hemmer" in MUSAC – Museo de Arte Contemporáneo de Castilla Y León. Exhibition catalogue. Barcelona: Museo de Arte Contemporáneo de Castilla Y León, 2004, p. 416-417. (english / español)
• Ozog, Maciej, "Surveilling the surveillance society: the case of Rafael Lozano-Hemmer's installations", Conspiracy dwellings: Surveillance in Contemporary Art, Newcastle, United Kingdom, 2010 (english).
• Paul, Christiane. Digital Art,. London: Thames & Hudson, 2003, p. 72-77; 100. (english)
• Porraz Fraser, Paloma and Santamarina, Guillermo. "Rafael Lozano-Hemmer" in Moi et ma circonstance – I and my circumstance – Yo y mi circunstancia. Exhibition catalogue. Montréal: Musée des Beaux-Arts, 2000, p. 70-75. (français / english / español)
• Ranzenbacher, Heimo. "Metaphors of Participation" in Takeover – who’ s doing the art of tomorrow. ARS Electronica 2001, Vienna: Springer, 2001, p. 240-247. (english / deutsch)
• Roca, José. "Rafael Lozano-Hemmer", in Phantasmagoria: Spectors of absence. Exhibition catalogue. New York: Independent Curators International, 2007, p.63. (english)
• Ryan, Zoë. "Temp Work" in OPEN — New Designs For Public Space. New York: Van Halen Institute, 2004, p.100-101. (english)
• de Saint-Etienne, Michel. 8 décembre – fête des lumières 2001-2005. Lyon: éditions Stéphane Bachès, 2006, p. 70-71 and p. 88-89. (français / english)
• Sánchez Balmisa, Alberto. "Rafael Lozano-Hemmer" in 100 Artistas Latinoamericanos – Latin American Artists. Madrid: Rosa Olivares, 2006, p. 274-277. (español / english)
• Schwander, Martin. "Rafael Lozano-Hemmer" in Art | Unlimited. Exhibition catalogue. Basel: ProLitteris, 2004, p. 102-103. (english)
• Stocker, Gerfried and Schöpf, Christine. "Relational Architecture no2 – Displaced Emperors" in Flesh Factor — informationsmaschine mensch. ARS Electronica 1997, Vienna: Springer, 1997, p. 336-342. (english / deutsch)
• Sumitomo, Fumihiko. "Rafael Lozano-Hemmer" in Art meets Media: adventures in perception, Tokyo: NTT Publishing, 2005, p. 32-35. (japanese)
• Tribe, Mark. and Jana, Reena. "Vectorial Elevation" in New Media Art (Art des nouveaux médias). Köln: TASCHEN GmbH, 2006, p. 4 and p. 62-63. (english / français)
• Wilson, Stephen, "Introduction", Art Science Now: How Scientific Research and Technological Innovation Are Becoming Key to 21st-century Aesthetics, New York City, New York, United States, 2010 (english).
• Wilson, Stephen. "Rafael Lozano-Hemmer" in Information Arts – Intersections of Art, Science, and Technology. Cambridge: MIT Press, 2002, p. 540-542 and p.737-739. (english)

Essays

• Lozano-Hemmer, Rafael and Gómez-Peña, Guillermo, "Tech-Illa Sunrise", Aztlán 29, no.1 spring 2004.
• Broeckmann, Andreas, "Public Spheres and Network Interfaces", April 2000.
• Lozano-Hemmer, Rafael, "Relational Architecture" Performance Research, Routledge, London, 1999.
• Lozano-Hemmer, Rafael, "The Relational Museum," Proceedings of the International Association of Telecommunication Museums, London, 1998
• Lozano-Hemmer, Rafael "Re:Positioning Fear," Archis, Netherlands, 1998.
• Lozano-Hemmer, Rafael, "Re:Positioning Fear, Relational Architecture #3", 3. Internationale Biennale Film und Architektur, Graz 1997.
• Lozano-Hemmer, Rafael, "Displaced Emperors, Relational Architecture #2", FleshFactor, Ars Electronica, Linz 1997.
• Lozano-Hemmer, Rafael, "Arte Electrónico: Pervirtiendo lo tecnológicamente correcto", Movimiento Actual, Monterrey, Mexico, December 1997.
• Lozano-Hemmer, Rafael, "The Trace: Remote Insinuated Presence", YLEM, USA, September 1997.
• Lozano-Hemmer, Rafael, "Floating Trout Space, Interview with Lawrence Paul Yuxweluptun", Telepolis, Heise online, July 1996.
• Lozano-Hemmer, Rafael, "Del tecno-parásito al cibernauta", Lateral, Spain, June 1996.
• Lozano-Hemmer, Rafael, Ramsay, Susie, "Spain Wide Web," Telepolis, Heise online, April 1996.
• Lozano-Hemmer, Rafael, "Televerkörperung in Trace", Kunstforum International, Germany, January 1996.
• Lozano-Hemmer, Rafael, "The Trace," Ars Electronica ’95 Compendium, Veranstaltungesellschaft, Linz, Austria, 1995.
• Lozano-Hemmer, Rafael, "Perverting Technological Correctness", Leonardo, MIT Press, Cambridge, 1995.
• Tee, O.S., Mazza, C., Lozano-Hemmer, R. and Giorgi, J.B., "Ester Cleavage by Cyclodextrins in Aqueous Dimethyl Sulfoxide Mixtures: Substrate Binding versus Transition State Binding." Journal of Organic Chemistry, 59, 7602-7608. American Chemical Society, Washington, 1994.
• Lozano-Hemmer, Rafael, "Arte Virtual y Reactivo", Catálogo de Arte Virtual, Electa, Spain, 1994.
• Lozano-Hemmer, Rafael, "Surface Tension", Visual Proceedings, ACM Siggraph, Chicago, 1993.
• Lozano-Hemmer, Rafael, "IMmediaCY," Endo und Nano, Die Welt von Innen, Veranstaltungesellschaft, Linz, Austria, 1992.
• Lozano-Hemmer, Rafael, "Virtual Reality", Bioapparatus, The Banff Centre For The Arts, Canada, 1991.

Magazines

• "Artworld: Art takes the olympic podium", Art in America, New York City, New York, United States, February 2010 (english).
• "Rafael-Lozano-Hemmer: Instalação 'Under Scan', Arquitectura Relacional", ARQA, Lisbon, Portugal, September 2009 (português).
• "Rafael Lozano-Hemmer", ArtReview:, Issue 29, London, United Kingdom, January 2009 (english).
• "Rafael Lozano-Hemmer", Rue Descartes, Vol. 57, Paris, France, July 2007 (english).
• miscellaneous article, Art magazine, Hamburg, Germany, June 2007 (deutsch).
• Media+Architecture, Cluster, Torino, Italy, 2007 (english and italiano).
• "Espionaje a Rafael Lozano-Hemmer", Sputnik, No.20, México, (español).
• Adriaansens, Alex and Brouwer, Joke (trad. Isabelle Chagnon). "Mémoire étrangère et espaces publics – un dialogue sinueux avec Rafael Lozano-Hemmer", Esse. Arts + Opinions, Dossier Citoyen «volontaire», no. 48, printemps – été 2003, cover page and p. 34-41. (français)
• Alm, David. "Cities of light – Rafael Lozano-Hemmer’s architectural revisions", RES, vol. 4, no. 3, May / June 2001, p. 10. (english)
• Anstead, Alicia, "Special effects", Inside Arts, Washington D.C., United States, January 2009 (english).
• Aragonés, Gonzalo, "Moscú quiere ser la capital artística", La Vanguardya, Mexico City, México, August 20th 2008 (español).
• Asiaghi, Anthony, "Input Output: Materialized Surveillance", Mechanical engineering, Volume 131, no.3, New York City, New York, United States, March 2009 (english).
• Austen, Kat, "Watch and be watched", NewScientist, no.2785, London, United Kingdom, November 6th 2010 (english).
• Ban, Sandra. "Rafael Lozano-Hemmer", ARTnews, vol. 106, no. 1, January 2007, p. 137. (english)
• Barrios, José Luis. "Rafael Lozano-Hemmer", Código Postal 06140, no. 16, agosto - septiembre, p. 24-25. (español)
• Barro, David, "Arte y ciencia del comportamiento", El Cultural, Madrid, Spain, November 22nd 2007 (español).
• Bauer, Will. "Age of the Data Poets – on the reconnection of science and art", Flash Art, vol. 29, no. 190, October 1996. (english)
• Bauman, Emily, "Taking the pulse, 200 hearts at a time", Fnews magazine, Chicago, Illinois, United States, February 2009 (english).
• Canogar, Daniel. "Illuminating Public Space - Light Shows in Contemporary Art", Public Art Review. Light, Fifteenth Anniversary Issue, vol. 15, no. 2, issue 30, Spring/Summer 2004. p. 9-13. (english)
• Caplan, Cathy, "Reviews: Heart Lights", Millennium film journal, No.52, New York City, New York, United States, 2010 (english).
• Castillo, Omar-Pascual. "Report from Sydney. Remapping the Art World", Art in America, no. 3, March 2007. p. 59-63. (english)
• Castillo, Omar-Pascual. "Veloz animal de cuarto patas (o... algunas ideas y notas cercanas al arte contemporáneo que nace o fluye en -y por- México)", art.es, no. 6-7, Noviembre 2004 / Febrero 2005, p. 35-38. (español)
• Castillo, Omar-Pascual. "Fast four-footed animal (Or... some notes and ideas on contemporary art originating in or circulating about –and for- Mexico)", art.es, no. 6-7, November 2004 / February 2005, p. 40-42. (english)
• Chan, Janet. "Body Movies", JET Magazine, vol. 52, December 2006, p. 248-249. (chinese)
• Clayton, Richard. "Another Me and My Shadow", BluePrint, no. 239, February 2006, p. 40-41. (english)
• Clayton, Richard, "Rafael Lozano-Hemmer's interactive installations, using light and shadows, are designed to engage the public intimately", Design Week, United Kingdom, November 3rd 2005 (english).
• Coen Cagli, Ruben, "L'invasione silenziosa", Domus, No.909, Milan, Italy, December 2007 (english and italiano).
• Daniell, Thomas. "Exposure Time – two media art installations", Archis, no. 1, 2004, p. 101-107. (english)
• De Julio-Paquin, Jean, "L'art public, porteur d'avenir", Formes, Vol.5, No.1, Montréal, Québec, Canada, 2009 (français).
• Diaz-Guardiola, Javier, "Lo digital ha duvuelto el aura al arte", ABCD las artes y las letras, Madrid, Spain, May 2010 (español).
• Fagone, Chiara, "Rafael Lozano-Hemmer: progettare l'imprevedibile designing the unexpected", D-Lux, No. 5, Milan, Italy, April 2009 (english & italiano).
• Fernández, Maria. "Illuminating Embodiement: Rafael Lozano-Hemmer’s Relational Architectures", Architectural Design, vol. 77, no. 4, July/august 2007, p. 78-87. (english)
• Flores, Tatiana, "The Historical (Self-) Conciousness", ArtNexus, Vol.7, No.71, Madrid, Spain, May 2010 (english).
• Galilee, Beatrice, "In Trafalguar Square", Icon, Epping, United Kingdom, February 2009 (english).
• Gallegos, Carina and Martell, Marisol. "Art Basel Miami Beach", Art Nexus, vol. 3, no. 56, April - June 2005, p. 118-120. (english)
• Garza Usabiaga, Daniel. "Arte contemporáneo mexicano: el relevo - Rafael Lozano-Hemmer", la Tempestad, vol. 8, no. 50, septiembre - octubre, 2006, p. 98-99. (español)
• Gladman, Randy. "Body Movies. A Linz Ars Electronica Festival award winner on the state of interactive art", Canadian Art, vol. 19, no. 4, Winter 2002, p. 56-61. (english)
• Gómez-Peña, Guillermo and Lozano-Hemmer, Rafael. "Tech-Illa Sunrise (.txt con Sangrita)", AZTLAN – A Journal of Chicano Studies, vol. 29, no. 1, Spring 2004, p. 181-189. (english)
• González Rosas, Blanca. "El INBA: ¿Obsolescencia o irresponsabilidad?", Proceso, no. 1597, June 10, 2007, p. 66. (español)
• Graham, Beryl and Cook, Sarah, "The behaviors of new media towards a post-hype hostipitality aesthetics?", Art Lies, no. 949, Houston, Texas, 2010 (english).
• Graham, Beryl and Cook, Sarah. "Net and Not Net — Curating New Media", Art monthly, no. 261, November 2002, p. 44. (english)
• Hasegawa, Yuko. "7th International Istanbul Biennal. Egofugal — Fugue from Ego for the Next Emergence", BT — Bijutsu Techno, vol. 54, no. 814, January 2002, p. 103. (japanese)
• Hasegawa, Yuko. "Selections for the Tenth New York Digital Salon", Leonardo, vol. 35, no. 5, 2002, cover / back cover and p. 554. (english)
• Helfand, Glen. "The SFMOMA Webby Prize and the State of Online Art", Open – the magazine of the San Francisco Museum of Modern Art, no. 3, Fall 2000, p. 38-39. (english)
• Jezik, Enrique. "Rafael Lozano-Hemmer – Laboratorio Arte Alameda", ArtNexus, vol. 2, no. 50, September – November 2003, p. 137-138. (english / español)
• Jiménez, Carlos. "Historias virtuales / Intercambios e iluminaciones", Lapiz – Revista Internacional de Arte, no. 182, April 2002, p. 36-43. (español)
• Kac, Eduardo. "Hotlist", Artforum International, September 2001. (english)
• Kampianne, Harry. "Des Egos à Istanbul" Art Actuel (Paris), no.17 , November-December 2001, p. 80-81. (français)
• Lovink, Geert. "Los nuevos medios, la tecnología y el arte. ¿Matrimonio desgraciado o síntesis perfecta?", Zehar, no. 57, 2005, cover and p. 46-51. (español)
• Lovink, Geert. "Fiat Lux", Artbyte, September-October 2000, p. 18. (english)
• Lovink, Geert. "Relationele architectuur. Relational architecture. Interview met / with Rafael Lozano-Hemmer", Archis, no. 72, October 2000, p. 70-74. (english /dutch)
• Lozada, Priamo. "Rafael Lozano-Hemmer – intreview by", Felix: A Journal of Media Arts and Communication – Risk / Riesgo, vol. 2, no. 3, 2003, p. 18-21 (english / español)
• Lozano, Amparo. "Rafael Lozano-Hemmer", Exit Express, Suplemento Especial Para Arco 2004, No. 1 Febrero / Marzo 2004. (español)
• Lozano-Hemmer, Rafael. "Espacio de Alienación", TELOS – Cuadernos de comunicación, tecnología y sociedad (Madrid), no. 56, Julio-Septiembre 2003, cover page and p. 73-84. (español)
• Lozano-Hemmer, Rafael. "Utterance 4 – Relational Architecture", Performance Research, vol. 4, no. 2, Summer 1999, p. 52-56. (english)
• Lozano-Hemmer, Rafael. "Televerkörperung in Trace", Kunstforum International, no. 132, November / January 1996, p. 141-144. (deutsch)
• Madoff, Steven Henry. "ARS Electronica", Artforum, Best of 2002 — A Special Issue, vol. XLI, no. 4, December 2002, p. 135. (english)
• Malvido, Adriana. "Rafael Lozano-Hemmer – De luz y ondas sonoras", Spot, no. 14, 2004, p. 58-61. (español)
• Malvido, Adriana. "El arte es el gran motor de México: Lozano-Hemmer, Premio Bauhaus", Proceso, no. 1358, November 10, 2002, p. 64-65. (español)
• Manovich, Lev. "Pour une poétique de l’espace augmenté", Parachute, no. 113, Janvier-Février-Mars, 2004, p. 46-49. (français)
• Massumi, Brian. "Strange Horizon – Buildings, Biograms and The Body Topologic", Architectural Design, vol. 69, no. 9-10, 1999, p. 12-19 (english)
• Massumi, Brian. "Flash in Japan – Rafael Lozano-Hemmer’s Amodal Suspension", Artforum, vol. XLII, no. 3, November 2003, p. 37-40. (english)
• McDonough, Tom, "The Art of Paticipation: 1950 to Now", Artforum International, New York City, New York, United States, April 2009 (english).
• Ohlenschläger, Karin. "Alzado Vectorial: Nuevas Arquitecturas de la Comunicación", Noticias Arco – Feria Internacional de Arte Contemporaneo, no. 19, January 2001. (español)
• Ozaki, Tetsuya. "Rafael Lozano-Hemmer", GEO Japan, vol. 6, no. 53, June 1998, p. 104-109. (japanese)
• Palmer, Daniel. "Looking back - Biennials / Survey Shows", frieze, issue 104, January - February 2007, p. 123 and 126. (english)
• Peña, Xatziri. "cuestionario LT – Rafael Lozano-Hemmer, Artista visual", La Tempestad, no. 53, vol. 8, Marzo-Abril 2007, p.24. (español)
• Peña, Xatziri. "Dos experiencias en Plataforma – Almacén de corazonadas", La Tempestad, no. 53, vol. 8, Marzo-Abril 2007, p.87. (español)
• Pini, Ivonne. "Fantasmagoría – Espectros de ausencia", ArtNexus, no. 65, vol. 6, 2007, p.104-106. (español)
• Pohlenz, Ricardo, "Rafael Lozano-Hemmer", FlashArt, Vol. XLI, No. 263, Milan, Italy, November 2008 (english).
• Ramade, Bénédicte, "USA, Mexique, Afrique, Pays du Nord... La course au lion d'or!", L'Oeil, No.594, Paris, France, September 2007 (français).
• Rebaza-Soraluz, Dr. Luis, "A word on images: the relationship between language and the visual", Contemporary, Vol. 21, No.13, Paitilla, Panama, 2008 (english).
• Redfern, Christine. "Venetian Opera. Montreal’s Rafael Lozano-Hemmer represents Mexico at the Venice Biennale", Canadian Art, vol. 24, no. 2, summer 2007, p. 68-70. (english)
• Redfern, Christine, "Noise Makers 2007 - Follow the searchlight", Mirror, Montréal, Québec, Canada, January 4th 2007 (english).
• Redfern, Christine. "Rafael Lozano-Hemmer", Contemporary 21 – special issue on digital art, no. 91, 2007, p. 56-59. (english)
• Salazar, Jesús. "Rafael Lozano-Hemmer: Las computadoras son inevitables", La Tempestad, no. 31, Julio-Agosto 2003. (español)
• Shikata, Yukiko. "Amodal Suspension", BT, vol. 56, no. 843, 2004, p. 138-139. (japanese)
• Shikata, Yukiko. "Huge Mobile by Rafael Lozano-Hemmer", Studio Voice – multi-media mix magazine, vol. 335, November 2003, p. 47. (japanese)
• Shikata, Yukiko. "Rafael Lozano-Hemmer", BT - Bijutsu Techno, vol. 52, no. 795, November 2000, p. 90-91. (japanese)
• Siegel, Miranda, "The Annotated Artwork: 'Pulse Park'", New York magazine, New York City, New York, United States, October 27th 2008 (english).
• de la Sierra, Carlos Antonio. "Reviews - Rafael Lozano-Hemmer", Art Nexus, vol. 3, no. 56, April - June 2005, p. 148. (english)
• Smith, Caroline. "Second coming — Caroline Smith gives her view on the Liverpool Biennial 2002", The Royal Academy Magazine, no. 76, Autumn 2002, p. 18. (english)
• Stoel, Elizabeth, "Rafael Lozano-Hemmer: Urban Projections", Praxis, Issue 10, Boston, Massachusetts, United States, 2008 (english).
• Sullivan, Jenny. "Body Movies", I.D. – Interactive Media Design Review, vol. 49, no. 7, November 2002, p. 60-61. (english)
• Tetsuya, Ozaki. "Rafael Lozano-Hemmer – Amodal Suspension", Art It, vol. 1, Fall / Winter 2003, p. 10-11 (english / japanese)
• Tetsuya, Ozaki. "Amodal Suspension – relational architecture 8" in ANY – Ars Nova Yamaguchi, vol. 42, November / December 2003, p. 1-2. (japanese)
• Ting Lipton, Shana. "Called of the wired: WI-FI Art Is All The Buzz", RES Magazine – summer escape/ travel issue, vol. 7, no. 3, May/June 2004, p. 60-61. (english)
• Turner, Grady T. "Sweet Dreams. The Seventh Havana Biennial addressed the theme of communication, which many artists interpreted in terms of escape or migration", Art in America, vol. 89, no. 10, October, 2001, p. 75-77. (english)
• Turner, Jonathan. "Venice – The New War Zone", Tableau Fine Arts, no. 4, September/October 2007, p. 57-63. (english / deutch)
• Vanagan, Dea, "Rafael Lozano-Hemmer", Canadian Art, Volume 26, No. 1, Toronto, Ontario, Canada, 2009 (english).
• Vanderbilt, Tom. "The King of Digital Art", WIRED, vol.13, no. 9, September 2005, p. 140-143. (english)
• Volk, Gregory. "Report from Istanbul. Back to the Bosphorus", Artforum, vol. 90, no. 3, March 2002, p. 45. (english)
• de Wavrin, Isabelle. "Bâle emballe", Beaux Arts, no. 243, Août 2004, p. 66-67. (français)
• Wei, Lilly. "Report from Sydney. Remapping the Art World", Art in America, no. 3, March 2007. p. 59-63. (english)
• White, Amy, "Phantasmagoria: specters of absence", Art Papers, Atlanta, Georgia, United States, May 2008 (english).
• Willis, Holly, "City as screen / Body as movie", Afterimage, Vol.37, No.2, Rochester, New York, United States, September 2009 (english).

Newspapers

• "Vectorial Elevation", Vancouver, British Columbia, Canada, February 6th 2010 (english).
• "Body Movies", Hong Kong, China, November 11th 2006 (chinese).
• "Body Movies", Hong Kong, China, November 11th 2006 (chinese).
• "Body Movies", Hong Kong, China, November 7th 2006 (chinese).
• Bárcenas, Arturo Cruz, "El Zócalo se convirtió por 7 días en una escultura de luz interactiva", Mexico City, México, January 7th 2000 (español).
• B., R, "Lozano-Hemmer inauguró Artium. Alzado vectorial: de México a Vitoria", Mexico City, México, May 2002 (español).
• Baillargeon, Stéphane, "Le globe-trotter des arts", Montréal, Québec, Canada, May 14th 2007 (français). Text of 2 pages.
• Bem, Merel, "Daar duiken schaduwen op vanuit het niets", Rotterdam, The Netherlands, September 2001 (deutsch).
• Bertrán, Antonio, "Inaugurarán el lunes el Alzado vectorial. Palpitará el cielo sobre El Zócalo", Mexico City, México, December 23rd 1999 (español).
• Blanco, Sergio R., "Vincula Lozano-Hemmer neuronas con caguamas – El artista presenta cinco instalaciones en la Galería OMR", Mexico City, México, November 10th 2004 (español).
• Bosco, Roberta, "El Arte Del Futuro", Madrid, España, October 21st 2006 (español).
• Bosco, Roberta and Caldana, Stefano, "Lozano-Hemmer crea para el MOCA su primera obra totalmente en red", Madrid, España, July 8th 2004 (español).
• Bosco, Roberta and Caldana, Stefano, "Los rayos luminosos de Lozano-Hemmer, en Japón", Madrid, España, October 20th 2003 (español). Text of 2 pages.
• Bosco, Roberta and Caldana, Stefano, "Las esculturas de luz de Lozano-Hemmer adornan el nuevo museo de Vitoria", Madrid, España, April 18th 2002 (español).
• Bosco, Roberta and Caldana, Stefano, "Lozano-Hemmer se presenta en Rotterdam con una instalación de sombras gigantes", Madrid, España, August 30th 2001 (español).
• Bosco, Roberta and Caldana, Stefano, "Lozano-Hemmer indaga con las palabras en la bienal de La Habana", Madrid, España, December 7th 2000 (español).
• Bosco, Roberta and Caldana, Stefano, "Una instalación de 25 esculturas de luz gana el Ars Electronica", Madrid, España, January 11th 2000 (español).
• Calcutt, John, "Communication. Contemporary Arts, Dundee", London, United Kingdom, January 29th 2003 (english).
• Calzada Villanueva, Mirna, "Laboratorio de Arte Alameda – El museo en acción", Mexico City, México, June 2003 (español).
• Cano, José David, "Hoy, en el arte el artista tampoco entiende nada: Lozano-Hemmer", Mexico City, México, June 4th 2003 (español).
• Carrero, José, "Luces de gala para el Artium. El museo abre los ojos", Bilbao, España, April 23rd 2002 (english).
• Checkland, Sarah Jane, "My favourite things", New York City, New York, United States, October 11th 2008 (english).
• Cordero, Patricia, "Ilumina con sonido la noche de Tlatelolco", Mexico City, México, November 25th 2008 (español).
• Cordero, Patricia, "Prende artista 100 focos con latidos. Roba corazones Lozano-Hemmer", Mexico City, México, October 27th 2006 (español). Text of 2 pages.
• Crowson, Liz and Pedgen, Tom, "Moving pictures. Light show: pavement portraits will bring street to life", Leicester, United Kingdom, January 7th 2006 (english).
• de Bréadún, Deaglán, "Lighting up the night sky to mark EU growth", Dublin, Ireland, April 21st 2004 (english).
• de Bréadún, Deaglán, "Dublin to light up the sky for new EU members", Dublin, Ireland, January 8th 2004 (english).
• Finkel, Jori, "Hooked on the ‘pulse’", Los Angeles, California, United States, October 17th 2010 (english). Text of 2 pages.
• Gómez Haro, Germaine, "México en la Bienal de Venecia", Mexico City, México, September 2nd 2007 (español).
• Galindo, José, "Rafael Lozano-Hemmer exhibe una instalación, en la que el público es imprescindible", Mexico City, México, May 26th 2003 (español).
• García, Adriana, "Alzado Vectorial, libro con intervención virtual", Mexico City, México, November 29th 2000 (español).
• García, Adriana and Hernández, Edgar and Alejandro, "El Centro Histórico será un río de luz", Mexico City, México, December 27th 1999 (español).
• Goddard, Peter, "At the Biennale. From our skyline to Venetian back alleys", Toronto, Ontario, Canada, June 21st 2007 (english).
• Goddard, Peter, "Deconstructed: Pulse Front. Light up the night to the beat of your heart", Toronto, Ontario, Canada, May 31st 2007 (english). Text of 2 pages.
• González, Leticia, "Tendrá México su pabellón en Bienal de Venecia", Mexico City, México, June 9th 2007 (español).
• Gorman, Sophie, "Light my spire", Dublin, Ireland, April 23rd 2004 (english).
• Griffin, Kevin, "‘Ballet’ of light dances through the night sky", Vancouver, British Columbia, Canada, February 5th 2010 (english).
• Hanif, Nadeem, "Lighting up our lives", Leicester, United Kingdom, January 13th 2006 (english).
• Harrisson, Eddie, "Bubbles and steam", London, United Kingdom, January 28th 2003 (english).
• Hawley, Liz, "Art will lift city out of shadows!", Leicester, United Kingdom, July 27th 2005 (english).
• Hawley, Liz, "Beam me up! - Light Fantastic: renowned artist sets shining example", Leicester, United Kingdom, June 17th 2005 (english).
• Hegarty, Shane, "How Europe could light up the country", Dublin, Ireland, January 9th 2004 (english).
• Hernández, Edgar A., "Cae en coma, curador de la bienal veneciana", Mexico City, México, June 6th 2007 (español).
• Hor-Chung Lau, Joyce, "Interactive art that’s larger than life", Hong Kong, China, November 16th 2006 (english). Text of 2 pages.
• Irving, Mark, "Walking with my shadows", London, United Kingdom, January 14th 2006 (english). Text of 2 pages.
• Jaio, Karmele, "Los internautas podrán crear esculturas de luz que se exhibirán frente al Artium", Gasteiz, España, April 18th 2002 (español).
• Jeffrey, Moira, "Steaming during the journey and steaming on arrival", London, United Kingdom, February 7th 2003 (english).
• Jimenez, Jose, "Rafael Lozano-Hemmer. Un sitio sin lugar", Madrid, España, October 28th 2000 (español).
• Johnson, Reed, "Mexico’s López shapes collection", Los Angeles, California, United States, June 18th 2006 (english).
• Karino, Ayako, "Transforming light rays into e-mail messages. An award-winning multinational artist provokes tantalizing questions with light and electrons", New York City, New York, United States, October 18th 2003 (english).
• Kay, James, "Me and my shadow tripping the light fantastic", Nottingham, United Kingdom, March 15th 2006 (english).
• Killworth, Henry, "Mexican to put his art in city", Lincolnshire, United Kingdom, June 18th 2005 (english).
• López, María Luisa, "Rafael Lozano-Hemmer: arte que se aleja de exotismos", Mexico City, México, May 27th 2003 (español).
• Müggenbug, Norma, "Instala vigilancia tecnológica – Rafael Lozano-Hemmer presenta instalaciones que involucran computadoras, sensores y proyectores, en la Galería OMR", Mexico City, México, November 5th 2005 (español).
• M. D., J., "Illuminando el espacio", Madrid, España, April 23rd 2002 (español).
• MacMasters, Merry, "Rafael Lozano-Hemmer mostrará cinco instalaciones en la Galería OMR – Cámaras de videovigilancia orwelliana, tema central de una exposición", Mexico City, México, November 2nd 2004 (español).
• Martel, Denise, "Intrus : Une exposition dans l’exposition", Quebec City, Québec, Canada, April 24th 2008 (français).
• Mayer, Mónica, "Rafael Lozano-Hemmer: ¡el Ana Guevara de las artes visuales!", Mexico City, México, June 14th 2003 (español).
• McCormick, Brian, "Participation required - Rafael Lozano-Hemmer’s interactive experience", New York City, New York, United States, November 7th 2006 (english).
• McLaren, Leah, "Luminato brings balance to city life", Toronto, Ontario, Canada, June 1st 2007 (english).
• Medina, Cuauhtémoc, "Desde la Sombra", Mexico City, México, June 15th 2006 (español).
• Medina, Cuauhtémoc, "Descripciones", Mexico City, México, May 25th 2005 (español).
• Medina, Cuauhtémoc, "Participación y persecución", Mexico City, México, November 3rd 2004 (español).
• Medina, Cuauhtémoc, "Una Isla cada vez más isla", Mexico City, México, November 17th 2000 (español).
• Melia, Paul, "Fireworks to ensure Euro parties start with a bang", Dublin, Ireland, April 29th 2004 (english).
• Mirapaul, Matthew, "Electronic Messages Become A Beacon In the Darkness", New York City, New York, United States, November 6th 2003 (english).
• Mirapaul, Matthew, "Online Art Lights Up A Square in Mexico City", New York City, New York, United States, December 30th 1999 (english).
• Pacheco Colín, Ricardo, "La exposición del artista mexicano y canadiense, que consta de cinco escenarios, se inaugura mañana en el Laboratorio Arte Alameda", Mexico City, México, May 27th 2003 (español).
• Parsons, Jodie, "Artist is going to make you a star", Northampton, United Kingdom, October 6th 2005 (español).
• Pascual, Alberto, "Una instalación de 18 focos manejados a través de Internet presidirá la apertura del Artium", Bilboa, España, April 18th 2002 (español).
• Paul, Carlos, "México vuelve a la Bienal de Venecia tras una ausencia de más de 50 años", Mexico City, México, June 6th 2007 (español).
• Pearson, Emma, "How to make an exhibition of yourself", Lincolnshire, United Kingdom, August 2nd 2005 (english).
• Renzetti, Elizabeth, "Canadian artist hits the switch in Trafalgar", Toronto, Ontario, Canada, November 15th 2008 (english).
• Reyes, Luis, "A 40 años de la matanza de Tlatelolco, ‘el Legislativo no ha emitido una condena pública’", Mexico City, México, November 25th 2008 (español).
• Rogers, Damian, "Pulse of the city", Toronto, Ontario, Canada, May 31st 2007 (english). Text of 3 pages.
• Sevilla, María Eugenia, "Expone en Venecia juegos tecnológicos", Mexico City, México, June 6th 2007 (español). Text of 2 pages.
• Sierra, Sonia, "Voces de hoy se hacen luz", Mexico City, México, November 25th 2008 (español).
• Smyth, Gerry, "Lighting up Dublin", Dublin, Ireland, April 17th 2004 (english).
• Tolic, Ines, "Rafael Lozano-Hemmer at the 52nd international art exhibition in Venice", Milan, Italia, August 2008 (english and italiano).
• Van Bogaert, Pieter, "Relationele architectuur", Antwerp, Belgium, January 9th 2001 (deutsch).
• Vogel, Carol, "Inside Art", New York City, New York, United States, September 19th 2008 (english).
• Vogel, Carol, "Russian And Rich: Art’s New Tastemaker", New York City, New York, United States, August 17th 2008 (english).
• Vogel, Carol, "Elsrth Kelly, Basking in Basel Tributes", New York City, New York, United States, June 6th 2008 (english).
• Walsh, David, "£1m light show to lure tourists. Will shadow play put city in the spotlight?", Derby, United Kingdom, August 12th 2005 (english). Text of 2 pages.
• Walsh, David, "See who’s coming out of the city’s shadows", Derby, United Kingdom, August 12th 2005 (english).

WEB

• Cardillo, Marta. "52 Biennale di Venezia, le ‘zone tecnologicamente autonome’ di Rafael Lozano-Hemmer", Fogli d’arte, October 1, 2007. (italiano)
• De Vicente, José Luis. "Arte electronico. Luces en el cielo de Vitoria", Navegante.com – especial para elmundo.es, Wednesday, April 24, 2002. (español)
• Desjardins, Marie-Laure. "Mobile Art : Faire-part de naissance", ArtsThree.com, Tuesday, October 26th, 2010. (french)
• Graham, Beryl. "The Denizens are Restless in Turing-Land", Switch_ journal, Rivets + Denizens – collaborative curatorial models in theory and practice, issue 17, February 1, 2002. (english)
• OConnell, Micheál. "review: Some Things Happen More Often Than All of the Time", a-n Reviews Unedited (UK), September 2007. (english)
• La Paglia, Federica. "biennale padiglioni. La via latina", Exibart.com (Firenze), Friday, August 31 2007. (italiano)
• Ponzini, Monica. "Lozano-Hemmer: Relational Architecture", Digimag (Milano), issue 28, October 2007. (italiano)
• Rose, Jessica. "Dark art", BBC (Leicester), December 23, 2005. (english)
• Sakaguchi, Chiaki. "Amodal Suspension – Relational Architecture 8", Shift Japan, vol. 84, November 2003. (english / japanese)
• "Art Flash News", Artscape – DNP Museum Information Japan, October 15, 2003. (japanese)
• "Design Event Ace", Japan Design Net, November 2003. (japanese)
• "Northampton under surveillance", BBC (Northamptonshire), January 30, 2006. (english)
• "Under scan", BBC (Nottingham), March 10, 2006. (english)
• "World’s largest video art installation premieres in Lincoln", BBC (Lincolnshire), November 22, 2005. (english)

Monographs

Rafael Lozano-Hemmer: Recorders

Catalogue of Recorders exhibition which took place in Manchester Art Gallery.

Softcover: 64 pages
ISBN: 978-0-901673-78-7
Publisher: Manchester Art Gallery
Language: English
Dimensions: 22 x 27 cm
Editor: Rafael Lozano-Hemmer

Authors: Moira Stevenson, Rafael Lozano-Hemmer, Timothy Druckrey, Cecilia Fajardo-Hill, Beryl Graham and Jacinta Laurent
Design: Pauline Minsky


Purchase Online

 

Under Scan

Under Scan was a large-scale public art intallation featuring 1,000 interactive portraits. The piece was commissioned by East Midlands Development Agency (EMDA) to celebrate the cultural quarters in the East Midlands region of England. This book and DVD document the massive shadow play that transformed pedestrian areas in Derb, Leicester, Lincoln, Northampton and Nottingham in 2005 and 2006.

Perfect Paperback: 120 pages
ISBN: 0-9781347-0-2
Publisher: EMDA and Antimodular (April 1, 2007)
Language: English
Dimensions: 18 x 25 cm
Editor: Rafael Lozano-Hemmer and David Hill

Authors: Rafael Lozano-Hemmer
Sample Essay: Critical essays by Timothy Druckrey (USA), Berly Graham (UK), Cuauhtemoc Medina (Mexico), Nadja Mounajjed (Syria/France), John Plowman (UK) and Mirjam Struppek (Germany)


Purchase Online

 

Rafael Lozano-Hemmer "Subsculptures"

Un dialogue entre José Luis Barrios et Rafael Lozano-Hemmer / A dialog between José Luis Barrios and Rafael Lozano-Hemmer

Paperback: 64 pages
ISBN: 2-940287-19-8
Publisher: Galerie Guy Bärtschi (November 5, 2005)
Language: Français and English
Dimensions: 28 x 21 cm

Authors: Rafael Lozano-Hemmer
Design: Guy Bärtschi and Livia Gnos
Coordination: Guy Bärtschi and Livia Gnos
Texts: Rafael Lozano-Hemmer and José Luis Barrios
Translation: Jeanne Bouniort and Rebecca MacSween

 

Vectorial Elevation: Relational Architecture No. 4

With the arrival of the year 2000, Mexico City’s Zócalo Square was transformed by immense light sculptures created by participants on the Internet using a virtual reality program. This book documents the interactive art project Vectorial Elevation, which allowed thousands of people from 89 countries to control 18 robotic searchlights with 126,000 watts of power and link Cyberspace with Mexico’s most emblematic urban landscape. Prominent artists and critics analyze the historical, aesthetic and technological impact of this massive “Relational Architecture” intervention: Andreas Broeckmann, Daniel Canogar, Erik Davis, Maria Fernandez, Erkii Huhtamo, Geert Lovink, Brian Mass

Paperback: 340 pages
ISBN: 970-18-5553-1
Publisher: Conaculta (November 29, 2000)
Language: English and español
Dimensions: 8.9 x 6.4 x 1 inches
Editor: Rafael Lozano-Hemmer

Design: Julia W.García
Sample Essay: Daniel Canogar
Translation: Patricia Muñoz Luna and Susie Ramsay
Layout assistants: Black Sheep Design
Production management: Miguel Marín


Purchase Online

 

Books / Catalogues

• "Rafael Lozano-Hemmer", Atopia, Barcelona, Spain, 2010 (english).
• "1000 Platitudes", Language in art, Netherlands, 2009 (english).
• "Blow-up, shadow box #4" and "Reporters with borders, shadow box #6", Turn and Widen, Seoul, South Korea, 2008 (english).
• "Rafael Lozano-Hemmer", The Prisoner's Dilemma, selections from Ella Fontanals-Cisneros Collection, Miami, Florida, United States, 2008 (english).
• "Rafael Lozano-Hemmer", Emergentes, Buenos Aires, Argentina, 2008 (english and español).
• "Rafael Lozano-Hemmer - 'Some things happen more often than all the time'", Kunstforum, Vol. 188, London, United Kingdom, October 2007 (deutsch).
• Adriaansens, A. and Brouwer, J. "Alien Relationships from Public Space" in TransUrbanism. Rotterdam: V2_Publishing/NAI Publishers, 2002, p.138-158. (english)
• Aros, "Pulse room: Rafael Lozano-Hemmer", Enter action: digital art now, Århus, Denmark, 2009 (danske and english).
• Barrios, José Luis. "arte/FACTOS" in Salón De Arte Bancomer – armas y herramientas. Exhibition catalogue. México: Fundación BBVA Bancomer, 2004, p. 11 and 18. (español)
• Barro, David, "Rafael Lozano-Hemmer", Emergentes, Gijón, Spain, 2008 (english and español).
• Benedetti, Lorenzo. "La ciudad como interfaz del arte / The City as Interface of Art" in La ciudad radiante. Exhibition catalogue. Valencia: SKIRA, 2003, p. 110-113 and 207-208. (español / english)
• Berg, Eddie and McGonigal, Jo. "Rafael Lozano-Hemmer" in International 2002 — Liverpool Biennial, Liverpool: Liverpool Biennial, 2002, p. 88-91. (english)
• Binder, Pat and Haupt, Gerhard. "Excerpt from an interview for Universe in Universe" in SCRABBLE — vídeo, lenguaje y abstracción. Exhibition catalogue. Gran Canaria: Centro Atlántico De Arte Moderno, 2005, p. 66-75. (english / español)
• Bonito Oliva, Achille. "Rafael Lozano-Hemmer", La ciudad radiante. Exhibition catalogue. Valencia: SKIRA, 2003, p. 110-113. (español)
• Brizzi, Marco and Giaconia, Paola. "Rafael Lozano-Hemmer" in Beyond Media – 6º Festival Internazionale di Architettura in Video. Exhibition catalogue. Bologna: Editrice Compositori, 2002, p. 69. (english / italiano)
• Broeckmann, Andreas. "Public Spheres and Network Interfaces" in The Cybercities reader. New York: Routledge, 2004, p. 380-381. (english)
• Bullivant, Lucy. "Responsive Environments — Architecture", Art and Design. London: V&A Contemporary, 2006, cover page and p. 36-39. (english)
• Cámara, Ery (translated by D.E. Cowan). "Mexican Artists in the International Arena" in EXIT — México. Special Edition. Spain: Olivares & Associates, 2005, cover page and p.160-175. (english / español)
• Cameron, Andy. The art of experimental interaction design. International designers Network. IdN Special 04. Hong Kong: IdN PRO, 2004, p.96-101. (english)
• Canogar, Daniel. "Rafael Lozano-Hemmer — Homographies" in 2006 Biennale of Sydney — Zones of Contact. Exhibition catalogue. Seoul: Biennale of Sydney, 2006, p. 172-173. (english / español)
• Cantz, Hatje, "Body Movies - Relationnal Architecture No. 6", CyberArts 2002, Germany, 2002 (english and deutsch).
• Cilleruelo, Lourdes. "Medios Alienígenas – entrevista a Rafael Lozano-Hemmer" in Net.Art – Prácticas estéticas y políticas en la red. Madrid: Brumaria, 2006, p. 114-122. (español)
• Dewdney, Andrew and Ride, Peter. "Vectorial Elevation – public arts project: Rafael Lozano-Hemmer" in The New Media Handbook, New York: Routledge, 2006, p. 195-205. (english)
• Druckrey, Timothy. "Echte Telepräsenz... – Real Telepresence..." in Dot.City. Berlin: Jovis Verlag GmbH, 2004, p. 60-73. (english / deutsch)
• Druckrey, Timothy. Critical Conditions – information, atmospheres and event scenes part 1 part 2 part 3, Exhibition catalogue. Pittsburgh: Wood Street Galleries, 2003, p. 20-41. (english)
• Druckrey, Timothy. "Relational Architecture: the work of Rafael Lozano-Hemmer", Debates & Credits. Media / Art / Public Domain. Amsterdam: De Balie – Centre for Culture and Politics, 2003, p. 69-72. (english / dutch)
• Ehrlich, Ken and Labelle, Brandon. "Body Movies" in Surface Tension – Problematics of Site. New York: Errant Bodies Press, 2003, p. 239-244. (english)
• Everett, Anna, and Thornton Caldwell, John, "The poetics of augmented space", New Media Theories and Pratices of Digitextuality, New York City, New York, United States, 2003 (english).
• Fajardo-Hill, Cecilia. "Forms of classification: Alternative Knowledge and contemporary art". Exhibition catalogue. Miami, Florida, 2006-07, p. 22. (english / español)
• Fernández, María. "Rafael Lozano-Hemmer" in egofugal — 7th international Istanbul biennial, exhibition catalogue. Istanbul: Istanbul Foundation for Culture & Arts, 2001, p. 75-77. (turkkilainen / english)
• Freyer, Conny, Noel, Sebastien and Rucki, Eva, "Rafael Lozano-Hemmer", Digital by design, London, United Kingdom, 2008 (english).
• Frieling, Rudolf, "Rafael Lozano-Hemmer", The art of participation: 1950 to now, New York City, New York, United States, 2008 (english).
• Graham, Beryl, "Interaction/Participation: Disembodied Performance in New Media Art", Dead History, Live Art?, Liverpool, United Kingdom, 2007 (english).
• Graham, Beryl. Digital Media, Directions in Art series. Oxford: Heinemann, 2003. p. 28-31. (english)
• Hasegawa, Yuko. "Rafael Lozano-Hemmer", Cream 3. Contemporary Art in Culture. 10 curators -10 contemporary artists - 10 source artists. London: Phaidon Press Limited, 2003, p.188-191. (english)
• Herrera Ysla, Nelson. "Rafael Lozano-Hemmer" in Séptima Bienal de La Habana. Exhibition catalogue. Madrid: Centro de Arte Contemporáneo Wilfredo Lam, 2000, p. 234-235. (español / english)
• Kacunko, Slavko. Closed Circuit Videoinstallationen. Berlin: Logos, 2004, p. 686-687. (deutsch)
• de Kerckhove, Derrick. The Architecture of Intelligence. Basel: Birkhäuser, 2001, p. 68. (english)
• Lieser, Wolf, Digitale Medien-Installationen im Firmenumfeld, Digital Art, China, 2009 (deutsch).
• Lopez, Sebastian. "Rafael Lozano-Hemmer" in Shangai Biennale – Techniques of the Visible, Exhibition catalogue. Shangai: Shangai Fine Art Publishers, 2004, p. 164-167. (chinese / english)
• Lorenson, Pip, "Rafael Lozano-Hemmer: Interview by Pip Lorenson", The fifth floor: Ideas taking space, Liverpool, United Kingdom, 2009 (english).
• Lovejoy, Margot. "Art as interactive communications: networking global culture" in Digital currents: art in the electronic age. London: Routledge, 2004, p. 221-223. (english)
• Lovink, Geert. "Real and Virtual Light of Relational Architecture – an interview with Rafael Lozano-Hemmer" in Uncanny Networks – Dialogues with the Virtual Intelligentsia. Cambridge: MIT Press, 2002, p. 304-313. (english)
• Lozada, Príamo. "Dataspace Arte Electrónico" in MÉXICO EN ARCO ’ 05 — Madrid, España. Exhibition catalogue. Spain: Conaculta and Turner, 2005, p. 99-100. (english / español)
• Lozada, Príamo. "Dataspace: Del objeto observado al sujeto participante" in Transitio_MX. Exhibition catalogue. México: Conaculta, 2005, p. 70. (english / español)
• Lozano-Hemmer, Rafael. "Under Scan", Exhibition catalogue and DVD, East Midlands Development Agency, Nottingham 2007. (english)
• Lozano-Hemmer, Rafael. "Subsculptures", Exhibition catalogue Galerie Guy Bärtschi, Geneva 2005. (english / français)
• Lozano-Hemmer, Rafael. "Idle Hands", European Media Art Festival, Exhibition catalogue, 1995, p. 171. (english)
• Lozano-Hemmer, Rafael. "The Trace", Exhibition catalogue, Fundación Telefónica, Madrid 1995. (english)
• Lozano-Hemmer, Rafael. "Arte virtual y reactivo" in Arte Virtual, Madrid: Electa, 1994, p. 13-17. (español)
• Lozano-Hemmer, Rafael. "Surface Tension" in Visual Proceedings – The Art & Interdisciplinary Programs of SIGGRAPH 93, New York: ACM Press, 1993, p. 221-222. (english)
• Lozano-Hemmer, Rafael. "Cyborg Fictions" in Virtual Seminar on the Bioapparatus, Banff: The Banff Centre for the Arts, 1991, p. 79. (english)
• Manovich, Lev. "The poetics of augmented space" in New Media – Theories and practices of digitextuality, New York: Routledge, 2003, p. 87. (english)
• Mariátegui, José-Carlos. "Emergentes. 10 projects by Latin American artists / Works in progress". Exhibition catalogue. 2007, p. 11-12. (español)
• Massumi, Brian. Parables for the Virtual – Movement, Affect, Sensation, Durham: Duke University Press, 2002, p. 192. (english)
• McQuire, Scott, "Performing Public Space", The Media City: Media, Architecture and Urban Space, 2008, London, United Kingdom, 2008 (english).
• Medina, Pedro, "Migrations between Memory and Spectacle", ARTECONTEXTO, Vol. 15, Madrid, Spain, 2007 (english)
• Musée National des Beaux-Arts du Québec, "Entrepôt de pulsations", Intrus/Intruders, Quebec City, Québec, Canada, 2008 (français).
• Neumann, Dietrich. "Architectural Illumination since World War II" in Architecture of the Night, Munich: Prestel Verlag, 2002, p. 83. (english)
• Ohlenschläger, Karin. "The capable skin – La Piel Capaz" in Arte Virtual - Realidad Plural. Exhibition catalogue. Monterrey: Museo de Monterrey, 1997, p. 66-69. (english / español)
• Ordás, Carlos. "Rafael Lozano-Hemmer" in MUSAC – Museo de Arte Contemporáneo de Castilla Y León. Exhibition catalogue. Barcelona: Museo de Arte Contemporáneo de Castilla Y León, 2004, p. 416-417. (english / español)
• Ozog, Maciej, "Surveilling the surveillance society: the case of Rafael Lozano-Hemmer's installations", Conspiracy dwellings: Surveillance in Contemporary Art, Newcastle, United Kingdom, 2010 (english).
• Paul, Christiane. Digital Art,. London: Thames & Hudson, 2003, p. 72-77; 100. (english)
• Porraz Fraser, Paloma and Santamarina, Guillermo. "Rafael Lozano-Hemmer" in Moi et ma circonstance – I and my circumstance – Yo y mi circunstancia. Exhibition catalogue. Montréal: Musée des Beaux-Arts, 2000, p. 70-75. (français / english / español)
• Ranzenbacher, Heimo. "Metaphors of Participation" in Takeover – who’ s doing the art of tomorrow. ARS Electronica 2001, Vienna: Springer, 2001, p. 240-247. (english / deutsch)
• Roca, José. "Rafael Lozano-Hemmer", in Phantasmagoria: Spectors of absence. Exhibition catalogue. New York: Independent Curators International, 2007, p.63. (english)
• Ryan, Zoë. "Temp Work" in OPEN — New Designs For Public Space. New York: Van Halen Institute, 2004, p.100-101. (english)
• de Saint-Etienne, Michel. 8 décembre – fête des lumières 2001-2005. Lyon: éditions Stéphane Bachès, 2006, p. 70-71 and p. 88-89. (français / english)
• Sánchez Balmisa, Alberto. "Rafael Lozano-Hemmer" in 100 Artistas Latinoamericanos – Latin American Artists. Madrid: Rosa Olivares, 2006, p. 274-277. (español / english)
• Schwander, Martin. "Rafael Lozano-Hemmer" in Art | Unlimited. Exhibition catalogue. Basel: ProLitteris, 2004, p. 102-103. (english)
• Stocker, Gerfried and Schöpf, Christine. "Relational Architecture no2 – Displaced Emperors" in Flesh Factor — informationsmaschine mensch. ARS Electronica 1997, Vienna: Springer, 1997, p. 336-342. (english / deutsch)
• Sumitomo, Fumihiko. "Rafael Lozano-Hemmer" in Art meets Media: adventures in perception, Tokyo: NTT Publishing, 2005, p. 32-35. (japanese)
• Tribe, Mark. and Jana, Reena. "Vectorial Elevation" in New Media Art (Art des nouveaux médias). Köln: TASCHEN GmbH, 2006, p. 4 and p. 62-63. (english / français)
• Wilson, Stephen, "Introduction", Art Science Now: How Scientific Research and Technological Innovation Are Becoming Key to 21st-century Aesthetics, New York City, New York, United States, 2010 (english).
• Wilson, Stephen. "Rafael Lozano-Hemmer" in Information Arts – Intersections of Art, Science, and Technology. Cambridge: MIT Press, 2002, p. 540-542 and p.737-739. (english)

Essays

• Lozano-Hemmer, Rafael and Gómez-Peña, Guillermo, "Tech-Illa Sunrise", Aztlán 29, no.1 spring 2004.
• Broeckmann, Andreas, "Public Spheres and Network Interfaces", April 2000.
• Lozano-Hemmer, Rafael, "Relational Architecture" Performance Research, Routledge, London, 1999.
• Lozano-Hemmer, Rafael, "The Relational Museum," Proceedings of the International Association of Telecommunication Museums, London, 1998
• Lozano-Hemmer, Rafael "Re:Positioning Fear," Archis, Netherlands, 1998.
• Lozano-Hemmer, Rafael, "Re:Positioning Fear, Relational Architecture #3", 3. Internationale Biennale Film und Architektur, Graz 1997.
• Lozano-Hemmer, Rafael, "Displaced Emperors, Relational Architecture #2", FleshFactor, Ars Electronica, Linz 1997.
• Lozano-Hemmer, Rafael, "Arte Electrónico: Pervirtiendo lo tecnológicamente correcto", Movimiento Actual, Monterrey, Mexico, December 1997.
• Lozano-Hemmer, Rafael, "The Trace: Remote Insinuated Presence", YLEM, USA, September 1997.
• Lozano-Hemmer, Rafael, "Floating Trout Space, Interview with Lawrence Paul Yuxweluptun", Telepolis, Heise online, July 1996.
• Lozano-Hemmer, Rafael, "Del tecno-parásito al cibernauta", Lateral, Spain, June 1996.
• Lozano-Hemmer, Rafael, Ramsay, Susie, "Spain Wide Web," Telepolis, Heise online, April 1996.
• Lozano-Hemmer, Rafael, "Televerkörperung in Trace", Kunstforum International, Germany, January 1996.
• Lozano-Hemmer, Rafael, "The Trace," Ars Electronica ’95 Compendium, Veranstaltungesellschaft, Linz, Austria, 1995.
• Lozano-Hemmer, Rafael, "Perverting Technological Correctness", Leonardo, MIT Press, Cambridge, 1995.
• Tee, O.S., Mazza, C., Lozano-Hemmer, R. and Giorgi, J.B., "Ester Cleavage by Cyclodextrins in Aqueous Dimethyl Sulfoxide Mixtures: Substrate Binding versus Transition State Binding." Journal of Organic Chemistry, 59, 7602-7608. American Chemical Society, Washington, 1994.
• Lozano-Hemmer, Rafael, "Arte Virtual y Reactivo", Catálogo de Arte Virtual, Electa, Spain, 1994.
• Lozano-Hemmer, Rafael, "Surface Tension", Visual Proceedings, ACM Siggraph, Chicago, 1993.
• Lozano-Hemmer, Rafael, "IMmediaCY," Endo und Nano, Die Welt von Innen, Veranstaltungesellschaft, Linz, Austria, 1992.
• Lozano-Hemmer, Rafael, "Virtual Reality", Bioapparatus, The Banff Centre For The Arts, Canada, 1991.

Magazines

• "Artworld: Art takes the olympic podium", Art in America, New York City, New York, United States, February 2010 (english).
• "Rafael-Lozano-Hemmer: Instalação 'Under Scan', Arquitectura Relacional", ARQA, Lisbon, Portugal, September 2009 (português).
• "Rafael Lozano-Hemmer", ArtReview:, Issue 29, London, United Kingdom, January 2009 (english).
• "Rafael Lozano-Hemmer", Rue Descartes, Vol. 57, Paris, France, July 2007 (english).
• miscellaneous article, Art magazine, Hamburg, Germany, June 2007 (deutsch).
• Media+Architecture, Cluster, Torino, Italy, 2007 (english and italiano).
• "Espionaje a Rafael Lozano-Hemmer", Sputnik, No.20, México, (español).
• Adriaansens, Alex and Brouwer, Joke (trad. Isabelle Chagnon). "Mémoire étrangère et espaces publics – un dialogue sinueux avec Rafael Lozano-Hemmer", Esse. Arts + Opinions, Dossier Citoyen «volontaire», no. 48, printemps – été 2003, cover page and p. 34-41. (français)
• Alm, David. "Cities of light – Rafael Lozano-Hemmer’s architectural revisions", RES, vol. 4, no. 3, May / June 2001, p. 10. (english)
• Anstead, Alicia, "Special effects", Inside Arts, Washington D.C., United States, January 2009 (english).
• Aragonés, Gonzalo, "Moscú quiere ser la capital artística", La Vanguardya, Mexico City, México, August 20th 2008 (español).
• Asiaghi, Anthony, "Input Output: Materialized Surveillance", Mechanical engineering, Volume 131, no.3, New York City, New York, United States, March 2009 (english).
• Austen, Kat, "Watch and be watched", NewScientist, no.2785, London, United Kingdom, November 6th 2010 (english).
• Ban, Sandra. "Rafael Lozano-Hemmer", ARTnews, vol. 106, no. 1, January 2007, p. 137. (english)
• Barrios, José Luis. "Rafael Lozano-Hemmer", Código Postal 06140, no. 16, agosto - septiembre, p. 24-25. (español)
• Barro, David, "Arte y ciencia del comportamiento", El Cultural, Madrid, Spain, November 22nd 2007 (español).
• Bauer, Will. "Age of the Data Poets – on the reconnection of science and art", Flash Art, vol. 29, no. 190, October 1996. (english)
• Bauman, Emily, "Taking the pulse, 200 hearts at a time", Fnews magazine, Chicago, Illinois, United States, February 2009 (english).
• Canogar, Daniel. "Illuminating Public Space - Light Shows in Contemporary Art", Public Art Review. Light, Fifteenth Anniversary Issue, vol. 15, no. 2, issue 30, Spring/Summer 2004. p. 9-13. (english)
• Caplan, Cathy, "Reviews: Heart Lights", Millennium film journal, No.52, New York City, New York, United States, 2010 (english).
• Castillo, Omar-Pascual. "Report from Sydney. Remapping the Art World", Art in America, no. 3, March 2007. p. 59-63. (english)
• Castillo, Omar-Pascual. "Veloz animal de cuarto patas (o... algunas ideas y notas cercanas al arte contemporáneo que nace o fluye en -y por- México)", art.es, no. 6-7, Noviembre 2004 / Febrero 2005, p. 35-38. (español)
• Castillo, Omar-Pascual. "Fast four-footed animal (Or... some notes and ideas on contemporary art originating in or circulating about –and for- Mexico)", art.es, no. 6-7, November 2004 / February 2005, p. 40-42. (english)
• Chan, Janet. "Body Movies", JET Magazine, vol. 52, December 2006, p. 248-249. (chinese)
• Clayton, Richard. "Another Me and My Shadow", BluePrint, no. 239, February 2006, p. 40-41. (english)
• Clayton, Richard, "Rafael Lozano-Hemmer's interactive installations, using light and shadows, are designed to engage the public intimately", Design Week, United Kingdom, November 3rd 2005 (english).
• Coen Cagli, Ruben, "L'invasione silenziosa", Domus, No.909, Milan, Italy, December 2007 (english and italiano).
• Daniell, Thomas. "Exposure Time – two media art installations", Archis, no. 1, 2004, p. 101-107. (english)
• De Julio-Paquin, Jean, "L'art public, porteur d'avenir", Formes, Vol.5, No.1, Montréal, Québec, Canada, 2009 (français).
• Diaz-Guardiola, Javier, "Lo digital ha duvuelto el aura al arte", ABCD las artes y las letras, Madrid, Spain, May 2010 (español).
• Fagone, Chiara, "Rafael Lozano-Hemmer: progettare l'imprevedibile designing the unexpected", D-Lux, No. 5, Milan, Italy, April 2009 (english & italiano).
• Fernández, Maria. "Illuminating Embodiement: Rafael Lozano-Hemmer’s Relational Architectures", Architectural Design, vol. 77, no. 4, July/august 2007, p. 78-87. (english)
• Flores, Tatiana, "The Historical (Self-) Conciousness", ArtNexus, Vol.7, No.71, Madrid, Spain, May 2010 (english).
• Galilee, Beatrice, "In Trafalguar Square", Icon, Epping, United Kingdom, February 2009 (english).
• Gallegos, Carina and Martell, Marisol. "Art Basel Miami Beach", Art Nexus, vol. 3, no. 56, April - June 2005, p. 118-120. (english)
• Garza Usabiaga, Daniel. "Arte contemporáneo mexicano: el relevo - Rafael Lozano-Hemmer", la Tempestad, vol. 8, no. 50, septiembre - octubre, 2006, p. 98-99. (español)
• Gladman, Randy. "Body Movies. A Linz Ars Electronica Festival award winner on the state of interactive art", Canadian Art, vol. 19, no. 4, Winter 2002, p. 56-61. (english)
• Gómez-Peña, Guillermo and Lozano-Hemmer, Rafael. "Tech-Illa Sunrise (.txt con Sangrita)", AZTLAN – A Journal of Chicano Studies, vol. 29, no. 1, Spring 2004, p. 181-189. (english)
• González Rosas, Blanca. "El INBA: ¿Obsolescencia o irresponsabilidad?", Proceso, no. 1597, June 10, 2007, p. 66. (español)
• Graham, Beryl and Cook, Sarah, "The behaviors of new media towards a post-hype hostipitality aesthetics?", Art Lies, no. 949, Houston, Texas, 2010 (english).
• Graham, Beryl and Cook, Sarah. "Net and Not Net — Curating New Media", Art monthly, no. 261, November 2002, p. 44. (english)
• Hasegawa, Yuko. "7th International Istanbul Biennal. Egofugal — Fugue from Ego for the Next Emergence", BT — Bijutsu Techno, vol. 54, no. 814, January 2002, p. 103. (japanese)
• Hasegawa, Yuko. "Selections for the Tenth New York Digital Salon", Leonardo, vol. 35, no. 5, 2002, cover / back cover and p. 554. (english)
• Helfand, Glen. "The SFMOMA Webby Prize and the State of Online Art", Open – the magazine of the San Francisco Museum of Modern Art, no. 3, Fall 2000, p. 38-39. (english)
• Jezik, Enrique. "Rafael Lozano-Hemmer – Laboratorio Arte Alameda", ArtNexus, vol. 2, no. 50, September – November 2003, p. 137-138. (english / español)
• Jiménez, Carlos. "Historias virtuales / Intercambios e iluminaciones", Lapiz – Revista Internacional de Arte, no. 182, April 2002, p. 36-43. (español)
• Kac, Eduardo. "Hotlist", Artforum International, September 2001. (english)
• Kampianne, Harry. "Des Egos à Istanbul" Art Actuel (Paris), no.17 , November-December 2001, p. 80-81. (français)
• Lovink, Geert. "Los nuevos medios, la tecnología y el arte. ¿Matrimonio desgraciado o síntesis perfecta?", Zehar, no. 57, 2005, cover and p. 46-51. (español)
• Lovink, Geert. "Fiat Lux", Artbyte, September-October 2000, p. 18. (english)
• Lovink, Geert. "Relationele architectuur. Relational architecture. Interview met / with Rafael Lozano-Hemmer", Archis, no. 72, October 2000, p. 70-74. (english /dutch)
• Lozada, Priamo. "Rafael Lozano-Hemmer – intreview by", Felix: A Journal of Media Arts and Communication – Risk / Riesgo, vol. 2, no. 3, 2003, p. 18-21 (english / español)
• Lozano, Amparo. "Rafael Lozano-Hemmer", Exit Express, Suplemento Especial Para Arco 2004, No. 1 Febrero / Marzo 2004. (español)
• Lozano-Hemmer, Rafael. "Espacio de Alienación", TELOS – Cuadernos de comunicación, tecnología y sociedad (Madrid), no. 56, Julio-Septiembre 2003, cover page and p. 73-84. (español)
• Lozano-Hemmer, Rafael. "Utterance 4 – Relational Architecture", Performance Research, vol. 4, no. 2, Summer 1999, p. 52-56. (english)
• Lozano-Hemmer, Rafael. "Televerkörperung in Trace", Kunstforum International, no. 132, November / January 1996, p. 141-144. (deutsch)
• Madoff, Steven Henry. "ARS Electronica", Artforum, Best of 2002 — A Special Issue, vol. XLI, no. 4, December 2002, p. 135. (english)
• Malvido, Adriana. "Rafael Lozano-Hemmer – De luz y ondas sonoras", Spot, no. 14, 2004, p. 58-61. (español)
• Malvido, Adriana. "El arte es el gran motor de México: Lozano-Hemmer, Premio Bauhaus", Proceso, no. 1358, November 10, 2002, p. 64-65. (español)
• Manovich, Lev. "Pour une poétique de l’espace augmenté", Parachute, no. 113, Janvier-Février-Mars, 2004, p. 46-49. (français)
• Massumi, Brian. "Strange Horizon – Buildings, Biograms and The Body Topologic", Architectural Design, vol. 69, no. 9-10, 1999, p. 12-19 (english)
• Massumi, Brian. "Flash in Japan – Rafael Lozano-Hemmer’s Amodal Suspension", Artforum, vol. XLII, no. 3, November 2003, p. 37-40. (english)
• McDonough, Tom, "The Art of Paticipation: 1950 to Now", Artforum International, New York City, New York, United States, April 2009 (english).
• Ohlenschläger, Karin. "Alzado Vectorial: Nuevas Arquitecturas de la Comunicación", Noticias Arco – Feria Internacional de Arte Contemporaneo, no. 19, January 2001. (español)
• Ozaki, Tetsuya. "Rafael Lozano-Hemmer", GEO Japan, vol. 6, no. 53, June 1998, p. 104-109. (japanese)
• Palmer, Daniel. "Looking back - Biennials / Survey Shows", frieze, issue 104, January - February 2007, p. 123 and 126. (english)
• Peña, Xatziri. "cuestionario LT – Rafael Lozano-Hemmer, Artista visual", La Tempestad, no. 53, vol. 8, Marzo-Abril 2007, p.24. (español)
• Peña, Xatziri. "Dos experiencias en Plataforma – Almacén de corazonadas", La Tempestad, no. 53, vol. 8, Marzo-Abril 2007, p.87. (español)
• Pini, Ivonne. "Fantasmagoría – Espectros de ausencia", ArtNexus, no. 65, vol. 6, 2007, p.104-106. (español)
• Pohlenz, Ricardo, "Rafael Lozano-Hemmer", FlashArt, Vol. XLI, No. 263, Milan, Italy, November 2008 (english).
• Ramade, Bénédicte, "USA, Mexique, Afrique, Pays du Nord... La course au lion d'or!", L'Oeil, No.594, Paris, France, September 2007 (français).
• Rebaza-Soraluz, Dr. Luis, "A word on images: the relationship between language and the visual", Contemporary, Vol. 21, No.13, Paitilla, Panama, 2008 (english).
• Redfern, Christine. "Venetian Opera. Montreal’s Rafael Lozano-Hemmer represents Mexico at the Venice Biennale", Canadian Art, vol. 24, no. 2, summer 2007, p. 68-70. (english)
• Redfern, Christine, "Noise Makers 2007 - Follow the searchlight", Mirror, Montréal, Québec, Canada, January 4th 2007 (english).
• Redfern, Christine. "Rafael Lozano-Hemmer", Contemporary 21 – special issue on digital art, no. 91, 2007, p. 56-59. (english)
• Salazar, Jesús. "Rafael Lozano-Hemmer: Las computadoras son inevitables", La Tempestad, no. 31, Julio-Agosto 2003. (español)
• Shikata, Yukiko. "Amodal Suspension", BT, vol. 56, no. 843, 2004, p. 138-139. (japanese)
• Shikata, Yukiko. "Huge Mobile by Rafael Lozano-Hemmer", Studio Voice – multi-media mix magazine, vol. 335, November 2003, p. 47. (japanese)
• Shikata, Yukiko. "Rafael Lozano-Hemmer", BT - Bijutsu Techno, vol. 52, no. 795, November 2000, p. 90-91. (japanese)
• Siegel, Miranda, "The Annotated Artwork: 'Pulse Park'", New York magazine, New York City, New York, United States, October 27th 2008 (english).
• de la Sierra, Carlos Antonio. "Reviews - Rafael Lozano-Hemmer", Art Nexus, vol. 3, no. 56, April - June 2005, p. 148. (english)
• Smith, Caroline. "Second coming — Caroline Smith gives her view on the Liverpool Biennial 2002", The Royal Academy Magazine, no. 76, Autumn 2002, p. 18. (english)
• Stoel, Elizabeth, "Rafael Lozano-Hemmer: Urban Projections", Praxis, Issue 10, Boston, Massachusetts, United States, 2008 (english).
• Sullivan, Jenny. "Body Movies", I.D. – Interactive Media Design Review, vol. 49, no. 7, November 2002, p. 60-61. (english)
• Tetsuya, Ozaki. "Rafael Lozano-Hemmer – Amodal Suspension", Art It, vol. 1, Fall / Winter 2003, p. 10-11 (english / japanese)
• Tetsuya, Ozaki. "Amodal Suspension – relational architecture 8" in ANY – Ars Nova Yamaguchi, vol. 42, November / December 2003, p. 1-2. (japanese)
• Ting Lipton, Shana. "Called of the wired: WI-FI Art Is All The Buzz", RES Magazine – summer escape/ travel issue, vol. 7, no. 3, May/June 2004, p. 60-61. (english)
• Turner, Grady T. "Sweet Dreams. The Seventh Havana Biennial addressed the theme of communication, which many artists interpreted in terms of escape or migration", Art in America, vol. 89, no. 10, October, 2001, p. 75-77. (english)
• Turner, Jonathan. "Venice – The New War Zone", Tableau Fine Arts, no. 4, September/October 2007, p. 57-63. (english / deutch)
• Vanagan, Dea, "Rafael Lozano-Hemmer", Canadian Art, Volume 26, No. 1, Toronto, Ontario, Canada, 2009 (english).
• Vanderbilt, Tom. "The King of Digital Art", WIRED, vol.13, no. 9, September 2005, p. 140-143. (english)
• Volk, Gregory. "Report from Istanbul. Back to the Bosphorus", Artforum, vol. 90, no. 3, March 2002, p. 45. (english)
• de Wavrin, Isabelle. "Bâle emballe", Beaux Arts, no. 243, Août 2004, p. 66-67. (français)
• Wei, Lilly. "Report from Sydney. Remapping the Art World", Art in America, no. 3, March 2007. p. 59-63. (english)
• White, Amy, "Phantasmagoria: specters of absence", Art Papers, Atlanta, Georgia, United States, May 2008 (english).
• Willis, Holly, "City as screen / Body as movie", Afterimage, Vol.37, No.2, Rochester, New York, United States, September 2009 (english).

WEB

• Cardillo, Marta. "52 Biennale di Venezia, le ‘zone tecnologicamente autonome’ di Rafael Lozano-Hemmer", Fogli d’arte, October 1, 2007. (italiano)
• De Vicente, José Luis. "Arte electronico. Luces en el cielo de Vitoria", Navegante.com – especial para elmundo.es, Wednesday, April 24, 2002. (español)
• Desjardins, Marie-Laure. "Mobile Art : Faire-part de naissance", ArtsThree.com, Tuesday, October 26th, 2010. (french)
• Graham, Beryl. "The Denizens are Restless in Turing-Land", Switch_ journal, Rivets + Denizens – collaborative curatorial models in theory and practice, issue 17, February 1, 2002. (english)
• OConnell, Micheál. "review: Some Things Happen More Often Than All of the Time", a-n Reviews Unedited (UK), September 2007. (english)
• La Paglia, Federica. "biennale padiglioni. La via latina", Exibart.com (Firenze), Friday, August 31 2007. (italiano)
• Ponzini, Monica. "Lozano-Hemmer: Relational Architecture", Digimag (Milano), issue 28, October 2007. (italiano)
• Rose, Jessica. "Dark art", BBC (Leicester), December 23, 2005. (english)
• Sakaguchi, Chiaki. "Amodal Suspension – Relational Architecture 8", Shift Japan, vol. 84, November 2003. (english / japanese)
• "Art Flash News", Artscape – DNP Museum Information Japan, October 15, 2003. (japanese)
• "Design Event Ace", Japan Design Net, November 2003. (japanese)
• "Northampton under surveillance", BBC (Northamptonshire), January 30, 2006. (english)
• "Under scan", BBC (Nottingham), March 10, 2006. (english)
• "World’s largest video art installation premieres in Lincoln", BBC (Lincolnshire), November 22, 2005. (english)