• Select By:
  • Show All
Airborne Series
Airborne Series
Shadow Box 11, 2015
The Airborne series is a set of interactive installations designed to animate literary, scientific and philosophical texts on the subjects of entropy, complexity, chance and non-linear dynamics. As a viewer stands in front of the work a sensor creates a “heat map” of his or her body and evaporates letters of the text that scroll on screen and which become “airborne”, generating turbulent movements. As the participant moves away the letters cool down and precipitate. The interaction fills the screen slowly, showing tens of thousands of letters, at which point the text fades out, and begins to scroll again from the beginning. Among the texts animated are “New Experiments with the Vacuum" by Blaise Pascal, “Thermodynamics of Irreversible Processes” by Ilya Prigogine, “Ars Magna” by Ramon Llull and “The Labyrinth of Fortune” by Juan de Mena. View Details.
1984x1984
1984x1984
Shadow Box 10, 2014
“1984x1984" is the tenth piece in Lozano-Hemmer’s Shadow Box series of interactive displays with a built-in computerized tracking system. The piece shows a grid of thousands of random numbers extracted from addresses photographed by Google Street View. Scanned by Google from the front doors of buildings around the world, the numbers have an immense variety of fonts, colours, textures, and styles. As a viewer walks in front of the piece, his or her silhouette is represented within the display, and within its form, all numbers countdown to show the number 1984 repeated throughout. The piece was made as a homage to George Orwell’s eponymous dystopian novel, 30 years after his predicted date for the collapse of privacy. View Details.
The Company of Colours
The Company of Colours
Shadow Box 9, 2009
"The Company of Colours" is the ninth piece in the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows the live camera view constructed out of a palette of named colour swatches that can be rendered by computers. Every few minutes the piece automatically switches to show the live view made with a variety of culturally-significant colour palettes from computer and videogame history, including the 4 shades of green of the original Nintendo Gameboy, the eight colours of teletext, and the sixteen colours of the Commodore 64, the Apple II and the ZX Spectrum. View Details.
Make Out
Make Out
Shadow Box 8 , 2008
"Make Out" is the eight piece in the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows thousands of internet videos of couples looking at each other: as soon as someone stands in front of the display his or her silhouette is shown and all the couples within it begin to kiss. The massive array of make-out sessions continues for as long as someone is in front of the work, --as he or she moves away all the kissing ends. View Details.
Alpha Blend
Alpha Blend
Shadow Box 7, 2008
"Alpha Blend" is the seventh piece in the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's presence revealing and blending pictures of people who have recently looked at the work. A game of "reverse puppetry" ensues, where a portrait from the past is animated by a live presence, in a similar preceptual mechanism than the one used in Lozano-Hemmer's public art installation "Body Movies". View Details.
Reporters With Borders
Reporters With Borders
Shadow Box 6, 2007
"Reporters With Borders" is a high resolution interactive display that simultaneously shows 864 video clips of news anchors taken from TV broadcasts in the United States and Mexico. As the viewer stands in front of the piece his or her silhouette is shown on the display and within it reporters begin to talk. Every 5 minutes the piece switches the video clips - from a database of 1600 - and classifies them along gender, race and country, so that for instance on the left there are only American reporters and on the right only Mexicans. View Details.
Blow Up
Blow Up
Shadow Box 4, 2007
"Blow-up" is a high resolution interactive display that is designed to fragment a surveillance camera view into 2400 virtual cameras that zoom into the exhibition space in fluid and autonomous motion. Inspired by Antonioni, the piece is intended as a an exercise to underline the construction of presence through a simulated, live compound eye. View Details.
Close-up
Close-up
Shadow Box 3, 2006
"Close-up" is the third piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny videos of other people who have recently looked at the work. When a viewer approaches the piece, the system automatically starts recording and makes a video of him or her. Simultaneously, inside the viewer's silhouette videos are triggered that show up to 800 recent recordings. This piece presents a schizoid experience where our presence triggers a massive array of surveillance videos. View Details.
Third Person
Third Person
Shadow Box 2, 2006
"Third Person" is the second piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny words that are in fact all the verbs of the dictionary conjugated in the third person. The portrait of the viewer is drawn in real time by active words, which appear automatically to fill his or her silhouette. The collector may choose to display the words in English, Spanish or French, or a combination of the three languages. View Details.
Eye Contact
Eye Contact
Shadow Box 1, 2006
"Eye Contact" is the first piece of the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows eight hundred simultaneous videos of people lying down, resting. As soon as a public member is detected, his or her presence triggers the miniature video portraits to wake up: hundreds of people simultaneously turn to look at the visitor directly, creating an uncanny experience that questions who is the observer and who is the observed. View Details.
1984x1984
1984x1984
Shadow Box 10, 2014
“1984x1984" is the tenth piece in Lozano-Hemmer’s Shadow Box series of interactive displays with a built-in computerized tracking system. The piece shows a grid of thousands of random numbers extracted from addresses photographed by Google Street View. Scanned by Google from the front doors of buildings around the world, the numbers have an immense variety of fonts, colours, textures, and styles. As a viewer walks in front of the piece, his or her silhouette is represented within the display, and within its form, all numbers countdown to show the number 1984 repeated throughout. The piece was made as a homage to George Orwell’s eponymous dystopian novel, 30 years after his predicted date for the collapse of privacy. View Details.
Airborne Series
Airborne Series
Shadow Box 11, 2015
The Airborne series is a set of interactive installations designed to animate literary, scientific and philosophical texts on the subjects of entropy, complexity, chance and non-linear dynamics. As a viewer stands in front of the work a sensor creates a “heat map” of his or her body and evaporates letters of the text that scroll on screen and which become “airborne”, generating turbulent movements. As the participant moves away the letters cool down and precipitate. The interaction fills the screen slowly, showing tens of thousands of letters, at which point the text fades out, and begins to scroll again from the beginning. Among the texts animated are “New Experiments with the Vacuum" by Blaise Pascal, “Thermodynamics of Irreversible Processes” by Ilya Prigogine, “Ars Magna” by Ramon Llull and “The Labyrinth of Fortune” by Juan de Mena. View Details.
Alpha Blend
Alpha Blend
Shadow Box 7, 2008
"Alpha Blend" is the seventh piece in the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's presence revealing and blending pictures of people who have recently looked at the work. A game of "reverse puppetry" ensues, where a portrait from the past is animated by a live presence, in a similar preceptual mechanism than the one used in Lozano-Hemmer's public art installation "Body Movies". View Details.
Blow Up
Blow Up
Shadow Box 4, 2007
"Blow-up" is a high resolution interactive display that is designed to fragment a surveillance camera view into 2400 virtual cameras that zoom into the exhibition space in fluid and autonomous motion. Inspired by Antonioni, the piece is intended as a an exercise to underline the construction of presence through a simulated, live compound eye. View Details.
Close-up
Close-up
Shadow Box 3, 2006
"Close-up" is the third piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny videos of other people who have recently looked at the work. When a viewer approaches the piece, the system automatically starts recording and makes a video of him or her. Simultaneously, inside the viewer's silhouette videos are triggered that show up to 800 recent recordings. This piece presents a schizoid experience where our presence triggers a massive array of surveillance videos. View Details.
Eye Contact
Eye Contact
Shadow Box 1, 2006
"Eye Contact" is the first piece of the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows eight hundred simultaneous videos of people lying down, resting. As soon as a public member is detected, his or her presence triggers the miniature video portraits to wake up: hundreds of people simultaneously turn to look at the visitor directly, creating an uncanny experience that questions who is the observer and who is the observed. View Details.
Make Out
Make Out
Shadow Box 8 , 2008
"Make Out" is the eight piece in the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows thousands of internet videos of couples looking at each other: as soon as someone stands in front of the display his or her silhouette is shown and all the couples within it begin to kiss. The massive array of make-out sessions continues for as long as someone is in front of the work, --as he or she moves away all the kissing ends. View Details.
Reporters With Borders
Reporters With Borders
Shadow Box 6, 2007
"Reporters With Borders" is a high resolution interactive display that simultaneously shows 864 video clips of news anchors taken from TV broadcasts in the United States and Mexico. As the viewer stands in front of the piece his or her silhouette is shown on the display and within it reporters begin to talk. Every 5 minutes the piece switches the video clips - from a database of 1600 - and classifies them along gender, race and country, so that for instance on the left there are only American reporters and on the right only Mexicans. View Details.
The Company of Colours
The Company of Colours
Shadow Box 9, 2009
"The Company of Colours" is the ninth piece in the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows the live camera view constructed out of a palette of named colour swatches that can be rendered by computers. Every few minutes the piece automatically switches to show the live view made with a variety of culturally-significant colour palettes from computer and videogame history, including the 4 shades of green of the original Nintendo Gameboy, the eight colours of teletext, and the sixteen colours of the Commodore 64, the Apple II and the ZX Spectrum. View Details.
Third Person
Third Person
Shadow Box 2, 2006
"Third Person" is the second piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny words that are in fact all the verbs of the dictionary conjugated in the third person. The portrait of the viewer is drawn in real time by active words, which appear automatically to fill his or her silhouette. The collector may choose to display the words in English, Spanish or French, or a combination of the three languages. View Details.