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Pulse Corniche
Pulse Corniche
Relational Architecture 22, 2015
Pulse Corniche was an interactive canopy of powerful light beams projected into to the sky by robotic searchlights whose brightness and orientation was controlled by the heart-rate of visitors to the Abu Dhabi’s Corniche. People were free to participate by holding a sensor placed in the centre of the plaza that converted the electrical activity of their heart into a unique lighting sequence. The intensity and direction of the lights visualized the different biometric rhythms of each participant, in an urban scale. View Details.
Voice Tunnel
Voice Tunnel
Relational Architecture 21, 2013
An installation designed to transform the Park Avenue Tunnel in New York City with 300 theatrical spotlights that produce glimmering arches of light along the tunnel’s walls and ceiling. Participants control the intensity of each light by speaking into an intercom at the tunnel’s center which records their voice and loops it. Louder speech increases the lights’ brightness proportionally, creating a Morse-like code of flashes throughout the tunnel. The individual voices can be heard as pedestrians walk through the tunnel, on 150 loudspeakers, one beside each light arch and synchronized with it. At any given time, the tunnel is illuminated by the voices of the past 75 participants: as new participants speak into the intercom, older recordings get pushed away by one position down the array of light fixtures until they leave the tunnel, so that the content of the piece is changing constantly. View Details.
Airborne Projection
Airborne Projection
Relational Architecture 20, 2013
“Airborne Projection” was an interactive installation commissioned by the Chrysler Museum of Art to transform Norfolk’s public space into a poetic shadow play. Participants blocked the light of two projectors casting their shadows on a 900 sqm wall, and these were tracked by computerized surveillance systems. Out of the shadows emanated bellowing smoke which was mapped onto the wall and accumulated in it. Readable within the smoke were clouds of text, themselves turbulent, from salient poetic texts on light and shadow. View Details.
Open Air
Open Air
Relational Architecture 19, 2012
An interactive artwork that allowed participants’ voices to transform the sky over Philadelphia. Using a website or a free iPhone app participants could record a voice message and listen to and rate other entries. The messages were played-back over the Benjamin Franklin Parkway using 24 powerful robotic searchlights that reacted, both in brightness and position, to the voice’s frequency and volume as well as to the phone's GPS location. View Details.
Articulated Intersect
Articulated Intersect
Relational Architecture 18, 2011
“Articulated Intersect” is a large-scale installation that produces an interactive canopy of light that can be modified by the public using six large lever-controllers that protrude from the ground. As a participant points one of these levers three powerful robotic searchlights automatically intersect in the sky to create an apex at that location. The participant may direct the apex anywhere over the city in real-time, creating an animated tetrahedron inspired by the work of Richard Buckminster Fuller. View Details.
Sandbox
Sandbox
Relational Architecture 17, 2010
Sandbox is a large-scale interactive installation created originally for Glow Santa Monica. The piece consists of two small sandboxes where one can see tiny projections of people who are at the beach. As participants reach out to touch these small ghosts, a camera detects their hands and relays them live to two of the world's brightest projectors, which hang from a boom lift and which project the hands over 8,000 square feet of beach. In this way people share three scales: the tiny sandbox images, the real human scale and the monstrous scale of special effects. View Details.
Solar Equation
Solar Equation
Relational Architecture 16, 2010
"Solar Equation" is a large-scale public art installation that consists of a faithful simulation of the Sun, 100 million times smaller than the real thing. Commissioned by the Light in Winter Festival in Melbourne, the piece features the world’s largest spherical balloon, custom-manufactured for the project, which is tethered over Federation Square and animated using five projectors. The solar animation on the balloon is generated by live mathematical equations that simulate the turbulence, flares and sunspots that can be seen on the surface of the Sun. This produces a constantly changing display that never repeats itself, giving viewers a glimpse of the majestic phenomena that are observable at the solar surface and that only relatively recent advances in astronomy have discovered. Using an iPhone, iPod touch or iPad, people may disturb the animations in real-time and select different fluid dynamic visualizations. View Details.
Voz Alta
Voz Alta
Relational Architecture 15, 2008
"Voz Alta" (Loud Voice) is a memorial commissioned for the 40th anniversary of the student massacre in Tlatelolco. Participants who speak into a megaphone automatically control the brightness of four searchlights that relay their voice over Mexico City as quiet light flashes; tuning into 96.1FM radio allows people anywhere in the city to listen in live to what the lights are saying. View Details.
Pulse Park
Pulse Park
Relational Architecture 14, 2008
"Pulse Park" is comprised of a matrix of light beams that graze the central oval field of Madison Square Park. Their intensity is entirely modulated by a sensor that measures the heart rate of participants and the resulting effect is the visualization of vital signs, arguably our most symbolic biometric, in an urban scale. View Details.
Pulse Front
Pulse Front
Relational Architecture 12, 2007
"Pulse Front" was a matrix of light over Toronto's Harbourfront, made with lightbeams from twenty powerful robotic searchlights, entirely controlled by a network of sensors that measured the heart rate of passers-by. Ten metal sculptures detected the pulse of people who held them: the readings were immediately converted into light pulses by the computers and also determined the orientation of the beams. View Details.
Under Scan
Under Scan
Relational Architecture 11, 2005
"Under Scan" is a public art installation based on self-representation. Thousands of "video-portraits" taken in Derby, Leicester, Lincoln, Northampton and Nottingham are projected onto the ground; at first, the portraits are not visible because the space is flooded by white light coming from a high-powered projector. As people walk around the area, their shadows are cast on the ground, revealing the video-portraits in short sequences. View Details.
Sitestepper
Sitestepper
Relational Architecture 10, 2004
"Sitestepper" is an Internet program that shows a 3D view of an apparently "neutral" living room. This space can be transformed automatically by scanning a website to extract its images, texts, colours and sounds. The system analyzes the contents of the submitted webpage and uses them to furnish and decorate the room, "branding" the space with a layer of live media. This project was commissioned for LA MOCA's digital gallery. View Details.
Frequency and Volume
Frequency and Volume
Relational Architecture 9, 2003
"Frequency and Volume" enables participants to tune into and listen to different radio frequencies by using their own bodies. A computerised tracking system detects participants' shadows, which are projected on a wall of the exhibition space. The shadows scan the radio waves with their presence and position, while their size controls the volume of the signal. The piece can tune into any frequency between 150 kHz and 1.5 GHz, including air traffic control, FM, AM, short wave, cellular, CB, satellite, wireless telecommunication systems and radio navigation. Up to sixteen frequencies can be tuned simultaneously and the resulting sound environment forms a composition controlled by people's movements. View Details.
Amodal Suspension
Amodal Suspension
Relational Architecture 8, 2003
"Amodal Suspension" is a large-scale interactive installation where people can send short text messages to each other using a cell phone or web browser. However, rather than being sent directly, the messages are encoded as unique sequences of flashes with twenty robotically-controlled searchlights, not unlike the patterns that make up Morse code. Messages "bounce" around from searchlight to searchlight, turning the sky into a giant switchboard. View Details.
Two Origins
Two Origins
Relational Architecture 7, 2002
In this intervention the emblematic Place du Capitole in Toulouse was transformed by a projection of The Book of Two Origins, a 13th-century heretical manuscript compiling the theological beliefs of the dualist cathars. Once a vibrant community in several regions of Europe, the believers in the two origins of the Universe were virtually annihilated by the brutal crusades that gave birth to the Inquisition and France's expansion. The texts are illegible since they are projected overlapping each other on the same façade from two distant projectors; only when passers-by block one text with their bodies is it possible to read the other text inside their shadow. View Details.
Body Movies
Body Movies
Relational Architecture 6, 2001
"Body Movies" transforms public space with interactive projections measuring between 400 and 1,800 square metres. Thousands of photographic portraits, previously taken on the streets of the host city, are shown using robotically controlled projectors. However the portraits only appear inside the projected shadows of the passers-by, whose silhouettes can measure between two and twenty-five metres depending on how close or far away they are from the powerful light sources positioned on the ground. View Details.
33 Questions per Minute
33 Questions per Minute
Relational Architecture 5, 2000
"33 Questions Per Minute" consists of a computer program which uses grammatical rules to combine words from a dictionary and generate 55 billion unique, fortuitous questions. The automated questions are presented at a rate of 33 per minute --the threshold of legibility-- on 21 tiny LCD screens encrusted on the support columns of the exhibition hall or mounted on a wall. The system will take over 3,000 years to ask all possible questions. A keyboard allows participants to log on to the building and add their own questions to the automatic flow. View Details.
Vectorial Elevation
Vectorial Elevation
Relational Architecture 4, 1999
"Vectorial Elevation" is an interactive art project originally designed to celebrate the arrival of the year 2000 in Mexico City's Zócalo Square. The website www.alzado.net enabled any Internet user to design light sculptures over the city's historic centre, with eighteen searchlights positioned around the square. These searchlights, whose powerful beams could be seen within a 15 kilometers radius, were controlled by an online 3D simulation program and visualised by digital cameras. A personalised webpage was produced for every participant with images of their design and information such as their name, dedication, place of access and comments. View Details.
Re:Positioning Fear
Re:Positioning Fear
Relational Architecture 3, 1997
"Re:Positioning Fear" was the third relational architecture project. A large scale installation on the Landeszeughaus military arsenal with a "teleabsence" interface of projected shadows of passers-by. Using tracking systems, the shadows were automatically focused and generated sounds. A real-time IRC discussion about the transformation of the concept of "fear" was projected inside the shadows; the chat involved 30 artists and theorists from 17 countries. View Details.
Displaced Emperors
Displaced Emperors
Relational Architecture 2, 1997
"Displaced Emperors" was an installation that used an "architact" interface to transform the Habsburg Castle in Linz, Austria. Wireless 3D sensors calculated where participants pointed to on the façade and a large animated projection of a hand was shown at that location. As people on the street "caressed" the building, they could reveal the interiors of the Habsburg residence in Mexico City, Castillo de Chapultepec. View Details.
33 Questions per Minute
33 Questions per Minute
Relational Architecture 5, 2000
"33 Questions Per Minute" consists of a computer program which uses grammatical rules to combine words from a dictionary and generate 55 billion unique, fortuitous questions. The automated questions are presented at a rate of 33 per minute --the threshold of legibility-- on 21 tiny LCD screens encrusted on the support columns of the exhibition hall or mounted on a wall. The system will take over 3,000 years to ask all possible questions. A keyboard allows participants to log on to the building and add their own questions to the automatic flow. View Details.
Airborne Projection
Airborne Projection
Relational Architecture 20, 2013
“Airborne Projection” was an interactive installation commissioned by the Chrysler Museum of Art to transform Norfolk’s public space into a poetic shadow play. Participants blocked the light of two projectors casting their shadows on a 900 sqm wall, and these were tracked by computerized surveillance systems. Out of the shadows emanated bellowing smoke which was mapped onto the wall and accumulated in it. Readable within the smoke were clouds of text, themselves turbulent, from salient poetic texts on light and shadow. View Details.
Amodal Suspension
Amodal Suspension
Relational Architecture 8, 2003
"Amodal Suspension" is a large-scale interactive installation where people can send short text messages to each other using a cell phone or web browser. However, rather than being sent directly, the messages are encoded as unique sequences of flashes with twenty robotically-controlled searchlights, not unlike the patterns that make up Morse code. Messages "bounce" around from searchlight to searchlight, turning the sky into a giant switchboard. View Details.
Articulated Intersect
Articulated Intersect
Relational Architecture 18, 2011
“Articulated Intersect” is a large-scale installation that produces an interactive canopy of light that can be modified by the public using six large lever-controllers that protrude from the ground. As a participant points one of these levers three powerful robotic searchlights automatically intersect in the sky to create an apex at that location. The participant may direct the apex anywhere over the city in real-time, creating an animated tetrahedron inspired by the work of Richard Buckminster Fuller. View Details.
Body Movies
Body Movies
Relational Architecture 6, 2001
"Body Movies" transforms public space with interactive projections measuring between 400 and 1,800 square metres. Thousands of photographic portraits, previously taken on the streets of the host city, are shown using robotically controlled projectors. However the portraits only appear inside the projected shadows of the passers-by, whose silhouettes can measure between two and twenty-five metres depending on how close or far away they are from the powerful light sources positioned on the ground. View Details.
Displaced Emperors
Displaced Emperors
Relational Architecture 2, 1997
"Displaced Emperors" was an installation that used an "architact" interface to transform the Habsburg Castle in Linz, Austria. Wireless 3D sensors calculated where participants pointed to on the façade and a large animated projection of a hand was shown at that location. As people on the street "caressed" the building, they could reveal the interiors of the Habsburg residence in Mexico City, Castillo de Chapultepec. View Details.
Frequency and Volume
Frequency and Volume
Relational Architecture 9, 2003
"Frequency and Volume" enables participants to tune into and listen to different radio frequencies by using their own bodies. A computerised tracking system detects participants' shadows, which are projected on a wall of the exhibition space. The shadows scan the radio waves with their presence and position, while their size controls the volume of the signal. The piece can tune into any frequency between 150 kHz and 1.5 GHz, including air traffic control, FM, AM, short wave, cellular, CB, satellite, wireless telecommunication systems and radio navigation. Up to sixteen frequencies can be tuned simultaneously and the resulting sound environment forms a composition controlled by people's movements. View Details.
Open Air
Open Air
Relational Architecture 19, 2012
An interactive artwork that allowed participants’ voices to transform the sky over Philadelphia. Using a website or a free iPhone app participants could record a voice message and listen to and rate other entries. The messages were played-back over the Benjamin Franklin Parkway using 24 powerful robotic searchlights that reacted, both in brightness and position, to the voice’s frequency and volume as well as to the phone's GPS location. View Details.
Pulse Corniche
Pulse Corniche
Relational Architecture 22, 2015
Pulse Corniche was an interactive canopy of powerful light beams projected into to the sky by robotic searchlights whose brightness and orientation was controlled by the heart-rate of visitors to the Abu Dhabi’s Corniche. People were free to participate by holding a sensor placed in the centre of the plaza that converted the electrical activity of their heart into a unique lighting sequence. The intensity and direction of the lights visualized the different biometric rhythms of each participant, in an urban scale. View Details.
Pulse Front
Pulse Front
Relational Architecture 12, 2007
"Pulse Front" was a matrix of light over Toronto's Harbourfront, made with lightbeams from twenty powerful robotic searchlights, entirely controlled by a network of sensors that measured the heart rate of passers-by. Ten metal sculptures detected the pulse of people who held them: the readings were immediately converted into light pulses by the computers and also determined the orientation of the beams. View Details.
Pulse Park
Pulse Park
Relational Architecture 14, 2008
"Pulse Park" is comprised of a matrix of light beams that graze the central oval field of Madison Square Park. Their intensity is entirely modulated by a sensor that measures the heart rate of participants and the resulting effect is the visualization of vital signs, arguably our most symbolic biometric, in an urban scale. View Details.
Re:Positioning Fear
Re:Positioning Fear
Relational Architecture 3, 1997
"Re:Positioning Fear" was the third relational architecture project. A large scale installation on the Landeszeughaus military arsenal with a "teleabsence" interface of projected shadows of passers-by. Using tracking systems, the shadows were automatically focused and generated sounds. A real-time IRC discussion about the transformation of the concept of "fear" was projected inside the shadows; the chat involved 30 artists and theorists from 17 countries. View Details.
Sandbox
Sandbox
Relational Architecture 17, 2010
Sandbox is a large-scale interactive installation created originally for Glow Santa Monica. The piece consists of two small sandboxes where one can see tiny projections of people who are at the beach. As participants reach out to touch these small ghosts, a camera detects their hands and relays them live to two of the world's brightest projectors, which hang from a boom lift and which project the hands over 8,000 square feet of beach. In this way people share three scales: the tiny sandbox images, the real human scale and the monstrous scale of special effects. View Details.
Sitestepper
Sitestepper
Relational Architecture 10, 2004
"Sitestepper" is an Internet program that shows a 3D view of an apparently "neutral" living room. This space can be transformed automatically by scanning a website to extract its images, texts, colours and sounds. The system analyzes the contents of the submitted webpage and uses them to furnish and decorate the room, "branding" the space with a layer of live media. This project was commissioned for LA MOCA's digital gallery. View Details.
Solar Equation
Solar Equation
Relational Architecture 16, 2010
"Solar Equation" is a large-scale public art installation that consists of a faithful simulation of the Sun, 100 million times smaller than the real thing. Commissioned by the Light in Winter Festival in Melbourne, the piece features the world’s largest spherical balloon, custom-manufactured for the project, which is tethered over Federation Square and animated using five projectors. The solar animation on the balloon is generated by live mathematical equations that simulate the turbulence, flares and sunspots that can be seen on the surface of the Sun. This produces a constantly changing display that never repeats itself, giving viewers a glimpse of the majestic phenomena that are observable at the solar surface and that only relatively recent advances in astronomy have discovered. Using an iPhone, iPod touch or iPad, people may disturb the animations in real-time and select different fluid dynamic visualizations. View Details.
Two Origins
Two Origins
Relational Architecture 7, 2002
In this intervention the emblematic Place du Capitole in Toulouse was transformed by a projection of The Book of Two Origins, a 13th-century heretical manuscript compiling the theological beliefs of the dualist cathars. Once a vibrant community in several regions of Europe, the believers in the two origins of the Universe were virtually annihilated by the brutal crusades that gave birth to the Inquisition and France's expansion. The texts are illegible since they are projected overlapping each other on the same façade from two distant projectors; only when passers-by block one text with their bodies is it possible to read the other text inside their shadow. View Details.
Under Scan
Under Scan
Relational Architecture 11, 2005
"Under Scan" is a public art installation based on self-representation. Thousands of "video-portraits" taken in Derby, Leicester, Lincoln, Northampton and Nottingham are projected onto the ground; at first, the portraits are not visible because the space is flooded by white light coming from a high-powered projector. As people walk around the area, their shadows are cast on the ground, revealing the video-portraits in short sequences. View Details.
Vectorial Elevation
Vectorial Elevation
Relational Architecture 4, 1999
"Vectorial Elevation" is an interactive art project originally designed to celebrate the arrival of the year 2000 in Mexico City's Zócalo Square. The website www.alzado.net enabled any Internet user to design light sculptures over the city's historic centre, with eighteen searchlights positioned around the square. These searchlights, whose powerful beams could be seen within a 15 kilometers radius, were controlled by an online 3D simulation program and visualised by digital cameras. A personalised webpage was produced for every participant with images of their design and information such as their name, dedication, place of access and comments. View Details.
Voice Tunnel
Voice Tunnel
Relational Architecture 21, 2013
An installation designed to transform the Park Avenue Tunnel in New York City with 300 theatrical spotlights that produce glimmering arches of light along the tunnel’s walls and ceiling. Participants control the intensity of each light by speaking into an intercom at the tunnel’s center which records their voice and loops it. Louder speech increases the lights’ brightness proportionally, creating a Morse-like code of flashes throughout the tunnel. The individual voices can be heard as pedestrians walk through the tunnel, on 150 loudspeakers, one beside each light arch and synchronized with it. At any given time, the tunnel is illuminated by the voices of the past 75 participants: as new participants speak into the intercom, older recordings get pushed away by one position down the array of light fixtures until they leave the tunnel, so that the content of the piece is changing constantly. View Details.
Voz Alta
Voz Alta
Relational Architecture 15, 2008
"Voz Alta" (Loud Voice) is a memorial commissioned for the 40th anniversary of the student massacre in Tlatelolco. Participants who speak into a megaphone automatically control the brightness of four searchlights that relay their voice over Mexico City as quiet light flashes; tuning into 96.1FM radio allows people anywhere in the city to listen in live to what the lights are saying. View Details.