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Description
Surface Tension is an interactive
installation where an image of a giant human eye
follows the observer
with orwellian precision.
This
work was inspired by a reading of Georges Bataille’s
text The Solar Anus during the first Gulf War –the
first wide-spread deployment of camera-guided “intelligent
bombs”. Present-day computerised surveillance
techniques employed by the Department of Homeland
Security in the United States through the Patriot
Act, provide a new and distressing backdrop for
this piece.
The
installation was originally developed in 1992
at the Universidad Complutense de Madrid as a
stage module for a theatre work by the Transition
State
Theory troupe. Since then, Surface Tension has
been presented as an art installation, typically
on a
plasma screen.
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Year of creation
1992-1993
Technique
Plasma or rear-projection screen, computerised surveillance system, custom-made software
Dimensions
Variable dimensions. edition of 6
Manual
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Exhibitions
• "Inpoliticos" (curator: Laura Bardier), Palazzo Art Napoli, Naples 2009
• Mexican Pavilion, Biennale Di Venezia 2007
• ARCO, OMR, Madrid 2005
• Art Basel, OMR, Basel 2005
• OMR, Mexico 2004
• 2!M, Madrid 1993
• Siggraph, Anaheim 1993
• Akademie der Bildenden Kunste, Nüremberg 1993
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Rafael Lozano-Hemmer, "Surface Tension " (1993). Nuremberg, Germany.

02:15 minutes (7.2 MB) |
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Photos
Click on an image to load a high resolution version
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Rafael Lozano-Hemmer, "Surface Tension " (1993). Madrid, Spain. Photos by Antimodular Research.
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Rafael Lozano-Hemmer, "Surface Tension " (1993). Nuremberg, Germany. Photos by Antimodular Research.
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Rafael Lozano-Hemmer, "Surface Tension " (2004). Mexico. Photos by Antimodular Research.
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Rafael Lozano-Hemmer, "Surface Tension " (2007). Venice, Italy. Photos by Antimodular Research.
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Conroy Badger — programming
Susie Ramsay, Will Bauer and Tara DeSimone — production
Bruce Ramsay — model
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