|
|
|
Description
Standards and Double Standards is an interactive installation that consists of 10 to 100 fastened belts that are suspended at waist height from stepper motors on the ceiling of the exhibition room. Controlled by a computerized tracking system, the belts rotate automatically to follow the public, turning their buckles slowly to face passers-by. When several people are in the room their presence affects the entire group of belts, creating chaotic patterns of interference. Non-linear behaviours emerge such as turbulence, eddies and relatively quiet regions. One of the aims of this piece is to visualize complex dynamics, turning a condition of pure surveillance into an unpredictable connective system. The piece creates an "absent crowd" using a fetish of paternal authority: the belt.
|
Year of creation
2004
Technique
Leather belts, stepper motors, surveillance camera, tracking system.
Dimensions
Variable dimensions. Edition: 3 copies of 10 belts, 1 of 50 belts and 1 of 100 belts + 1 AP of 50 belts.
|
Exhibitions
• "Fortunate Objects" (curator: Cecilia Fajardo Hill), The Cisneros Fontanals Foundation in Miami, Florida, USA, 2008.
• Guy Bärtschi, Geneva, November 2005.
• Shanghai Biennial, Shanghai Art Museum (curators: Xu Jiang, Sebastián López, Shengtian Zheng and Zhang Qing). China, October-November 2004.
• Art Basel 35, Unlimited, OMR Gallery. Basel, Switzerland, June 2004.
|
| |
|
Rafael Lozano-Hemmer, "Standards and Double Standards" (2004). Basel, Switzerland.

04:23 minutes (13.9 MB) |
|
|
Photos
Click on an image to load a high resolution version
|
Rafael Lozano-Hemmer, "Standards and Double Standards" (2004). Art Basel Unlimited, Basel, Switzerland. Photos by Peter Hauck (first 4) and Lozano-Hemmer (7 after)
|
|
| |
|
Ban, Sandra. "Rafael Lozano-Hemmer",
ARTnews, vol. 106, no. 1, January 2007, p.
137. (english)
Bosco, Roberta and Caldana, Stefano. "Lozano-Hemmer crea para el MOCA su primera obra totalmente en red", El Paìs (Madrid, España), Thursday, July 8, 2004. (español)
de Wavrin, Isabelle. "Bâle emballe", Beaux Arts, no. 243, Août 2004, p. 66-67. (français)
Fajardo-Hill, Cecilia. "Fortunate Objects / Objectos afortunados", Exhibition catalogue. Milano: Edizioni Charta, 2007, p.10-11, 24-25, 92-93. (english / español)
Lopez, Sebastian.
"Rafael Lozano-Hemmer"
in Shangai Biennale – Techniques of the Visible, Exhibition catalogue. Shangai: Shangai Fine Art Publishers, 2004, p. 164-167. (chinese / english)
MacMasters, Merry. "Rafael Lozano-Hemmer mostrará cinco instalaciones en la Galería OMR – Cámaras de videovigilancia orwelliana, tema central de una exposición", la Jordana de enmedio (México), Tuesday, November 2, 2004, p. 3a. (español)
Medina, Cuauhtémoc. "Participación y persecución", Reforma (México D.F.), Wednesday, November 3, 2004, sección C. (español)
Schwander, Martin.
"Rafael Lozano-Hemmer"
in Art | Unlimited. Exhibition catalogue. Basel: ProLitteris, 2004, p. 102-103. (english)
Vanderbilt, Tom. "The King of Digital Art", WIRED, vol.13, no. 9, September 2005, p. 140-143. (english)
|
|
|
| Rafael
Lozano-Hemmer — concept, direction
Conroy Badger — programming
Will Bauer, Sandra Badger, Karl-Erik Riesach, Peggy
Strong, Robyn Badger, Jennifer Laughlin, Denis Sulivan
and Olav Kahlbaum — production support
Rockefeller
Foundation (NY) and Fondation Langlois (Montréal) — development
funding
Ella Cisneros collection
(Miami) and MUAC collection (Mexico City).
|
|
|