Body Movies
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Description
Body Movies transforms public space with interactive projections measuring between 400 and 1,800 square metres. Thousands of photographic portraits, previously taken on the streets of the host city, are shown using robotically controlled projectors. However the portraits only appear inside the projected shadows of the passers-by, whose silhouettes can measure between two and twenty-five metres depending on how close or far away they are from the powerful light sources positioned on the ground. A video surveillance tracking system triggers new portraits when all the existing ones have been revealed, inviting the public to occupy new narratives of representation.

Samuel van Hoogstraten’s engraving “The Shadow Dance” (Rotterdam, 1675) is the main source of inspiration for this work. Body Movies attempts to misuse technologies of the spectacular so they can evoke a sense of intimacy and complicity instead of provoking distance, euphoria, catharsis, obedience or awe.


Year of creation
2001.
Technique
Four 7kW Xenon projectors with robotic rollers, 1,200 Duraclear transparencies, computerised tracking system, plasma screen and mirrors.
Dimensions
Variable dimensions.


Exhibitions
• New Zealand International Arts Festival, Wellington 2008
• HKADC, Museum of Art, Hong Kong 2006
• Duisburg Akzente Festival, Duisburg 2003
• Sapphire, Atlantico Pavillion, Lisbon 2002
• Ars Electronica Festival, Hauptplatz, Linz 2002
• Liverpool Biennial, Williamson Square, Liverpool 2002
• V2 Cultural Capital of Europe, Schouwburgplein, Rotterdam 2001

Video


Rafael Lozano-Hemmer, "Body Movies" (2006). Hong Kong, China.


03:44 minutes (15.4 MB)


Rafael Lozano-Hemmer, "Body Movies" (2001).
Rotterdam, Holland.


20:32 minutes (66.8 MB)


Photos
Click on an image to load a high resolution version


Rafael Lozano-Hemmer, "Body Movies" (2006). Hong Kong, China. Photos by Antimodular Research.


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Rafael Lozano-Hemmer, "Body Movies" (2003). Duisburg, Germany. Photos by Antimodular Research.


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Rafael Lozano-Hemmer, "Body Movies" (2002). Liverpool, UK. Photos by Antimodular Research.


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Rafael Lozano-Hemmer, "Body Movies" (2002). Linz, Austria. Photos by Antimodular Research.


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Rafael Lozano-Hemmer, "Body Movies" (2002). Lisbon, Portugal. Photos by Antimodular Research.


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Rafael Lozano-Hemmer, "Body Movies" (2001). Rotterdam, Holland. Photos by Jan Sprij, except where noted.


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<== photo by Arie Kievit


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<== Inspiration for the project.
Samuel van Hoogstraten "The Shadow Dance"
from his book "Inleiding tot de Hogeschool
der Schilderkunst"
Rotterdam 1675



Bibliography
Bem, Merel. "Daar duiken schaduwen op vanuit het niets", de Volkskrant (Rotterdam), Saturday, September 2001. (dutch)

Brizzi, Marco and Giaconia, Paola. "Rafael Lozano-Hemmer" in Beyond Media – 6º Festival Internazionale di Architettura in Video. Exhibition catalogue. Bologna: Editrice Compositori, 2002, p. 69. (english / italiano)

Chan, Janet. "Body Movies", JET Magazine, vol. 52, December 2006, p. 248-249. (chinese)

Ehrlich, Ken and Labelle, Brandon. "Body Movies" in Surface Tension – Problematics of Site. New York: Errant Bodies Press, 2003, p. 239-244. (english)

Graham, Beryl. "The Denizens are Restless in Turing-Land,", Switch_ journal, Rivets + Denizens – collaborative curatorial models in theory and practice, issue 17, February 1, 2002. (english)

Graham, Beryl and Cook, Sarah. "Net and Not Net — Curating New Media", Art monthly, no. 261, November 2002, p. 44. (english)

Hor-Chung Lau, Joyce. "Interactive art that's larger than life", International Herald & Post (Hong Kong), Thursday, November 16, 2006, p. 22. (english)

Madoff, Steven Henry. "ARS Electronica", Artforum, Best of 2002 — A Special Issue, vol. XLI, no. 4, December 2002, p. 135. (english)

Malvido, Adriana. "El arte es el gran motor de México: Lozano-Hemmer, Premio Bauhaus", Proceso, no. 1358, November 10, 2002, p. 64-65. (español)

Ryan, Zoë. "Temp Work" in OPEN — New Designs For Public Space. New York: Van Halen Institute, 2004, p.100-101. (english)

Smith, Caroline. "Second coming — Caroline Smith gives her view on the Liverpool Biennial 2002", The Royal Academy Magazine, no. 76, Autumn 2002, p. 18. (english)

Sullivan, Jenny. "Body Movies", I.D. – Interactive Media Design Review, vol. 49, no. 7, November 2002, p. 60-61. (english)


Credits

Conroy Badger — programming
Julia García, Ana Parga, Donato Lemmo, Elizabeth Anka, Jennifer Laughlin, as well as local photographers for each city — photography
Natalie Bouchard, David Lemieux, Olfa Driss, Stephan Schulz - production support


 
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